지드의 『위폐범들』과 셰익스피어의 『햄릿』

• 영문명: Gide's The Counterfeiters and Shakespeare's Hamlet: The Modern Characteristics Regarding Mise en Abyme
• 발행기관: 한국영미어문학회
• 저자명: 최정미(Choi Jeong mee)
• 간행물 정보: 『영미어문학』영미어문학 제115호, 181~200쪽, 전체 20쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2014.12.31

영문 초록

This study attempts to compare and elucidate, through the technique of mise en abyme, the characteristics of Gide's The Counterfeiters and Shakespeare's Hamlet. In various genres of art, mise en abyme emerges as a story within a story, a play within a play, and a picture within a picture. By means of this mise en abyme as a formal technique, The counterfeiters goes beyond being a text that simply refers to and represents reality, and becomes a self-referential and self-reflective one. And a play within a play as mise en abyme in Shakespeare's Hamlet makes it possible that the play not only represents reality and but reflects and refers to the play itself. Therefore Gide's The Counterfeiters and Shakespeare's Hamlet have something in common in respect of the self-referential and self-reflective text. At this point they have their modern characteristics connected with a number of modern artworks.

목차

Abstract

1. 서론

2. 『위폐범들』의 자기 반성적 특성과 미장아빔

3. 『햄릿』 속 극중극 「곤자고의 살인」에서의 미장아빔

4. 결론

인용문헌

키워드

지드 셰익스피어 『위폐범들』 『햄릿』 미장아빔 극중극 재현 자기 반성(자기 반영) Gide Shakespeare The Counterfeiters Hamlet mise en abyme a play within a play representation self-reflection