姜靜一堂의 '代夫子作'에 대한 고찰

• 영문명: Consideration of the Literary works created by Jeongildang Gang(姜靜一堂) on behalf of her husband -a report on the writings and academic cultures of scholastic ladies in the lateChosun Dynasty-
• 발행기관: 한국고전여성문학회
• 저자명: 김남이(Kim Nam yi)
• 간행물 정보: 『한국고전여성문학연구』제11권, 51~89쪽, 전체 38쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2005.12.31

국문 초록

정일당은 삶과 유리되지 않은 학문과 글쓰기를 보여 준 작가로서 우리 여성 문학사에서 특별하고도 중요한 위상을 차지한다. 이 논문은 그러한 정일당의 학문과 글쓰기가 생성된 토양에 대한 고찰이다. 이 논의는 정일당의 시문에 '代夫子作' 시문이 많다는 점에서 출발해 정일당이 '남성/남편'을 대신하여 글을 썼던 독특한 상황에 대한 고찰을 주요 논점으로 삼았다. 정일당의 남편 윤광연 또한 정열당의 학문과 문학적 환경이라는 측면에서 중요한 고찰의 대상이 되었다. 정일당의 대부자작 시는 대상 인물과 상황에 따라 수식과 감정의 고저를 보였다. 직설적이고 명료하며 평담한 자작시와 비교해 대부자작 시는 수식과 비유, 그리고 감정의 고저를 보인다. 대부자작 산문은 해당 양식의 규범을 준수하는 한편, 경우에 따라 자신의 지론과 가치를 드러내기도 했다. 이러한 대부자작 산문은 대개가 윤광연의 교유와 사승 관계가 바탕이 되어 이루어진 것이었다. 윤광연은 당대의 명망 있는 학자들과 교유하고, 젊은이를 가르치는 교육자로서 자신의 위상을 만들기 위해 노력했다. 아내 정일당 또한 남편의 교유 관계를 위해 많은 지침과 충고를 하였다. 이렇게 맺어진 교유 관계 속에서 정일당은 자신의 학문의 세계를 넓혔고, 글쓰기 기회를 확대할 수 있었다. 이것은 조선 후기 여성 작가의 학문과 글쓰기가 딛고 서 있던 하나의 현실이며-비록 특수하다 할지라도 주목해야 하는 여성 글쓰기의 토양이었다.

영문 초록

Jeongildang Gang(姜靜一堂) was a female writer active in the late Chosun(朝鮮) Dynasty. Her learning and writings are not isolated from her life and she is a special and important genius in the history of female literature in the Chosun Dynasty. This thesis is aimed to review what kinds of academic cultures Jeongildang's learning and writings were produced based on. In particular, Jeongildang left many literary works created on behalf of her husband. This thesis is starred with the explanation of the characters and meanings of Jeongildang's vicarious literary works after noting the fact that she produced many writings of such a kind. Moreover, major discussions of this thesis include the consideration of the unique situation where jeongildang wrote in substitute for 'man/her husband.' Gwang-yeon Yun(尹光演), husband of Jeongildang, is also the subject of this research since he was pan of the academic and literary environment of Jeongildang. The findings of this thesis listed below. It cannot be quite assured, but Jeongildang did not produce literary works on behalf of her husband just because Yun(尹) was sick and short of learning. Gwang-yeon Yun made efforts to create a favorable environment for his wife to improve her learning and writing because he cherished and loved her talents. In response, Jeongildang applied herself to actively enhancing her innate learning and writing talents. In this manner, Jeongildang produced poems on behalf of her husband, and they show the fluctuation of modification and emotion depending upon the figures being described in the works and the situations of the description. Jeongildang's own poems are indicative, clear, plain, and short. In contrast, her vicarious poems fluctuate in their modification, metaphor, and emotion and are long in comparison with her own poems. Furthermore, the prose writings created by Jeongil-dang Gang on behalf of her husband carry the normal patterns of the appropriate prose and sometimes display their own theories and values. By contrast, Jeongildang's own prose presents a rapid, unhindered, and intrepid flow of sentiments. Most of the vicarious literary works of Gang were affected by Gwang-yeon Yun's social association. Yun associated with renowned contemporary scholars such as Chi-gyu Song(宋稚圭)ㆍjik-pil Hong(洪直弼) and exerted himself to be a good educationist for youths. His wife provided him with many guidelines and advices beneficial to his keeping company with them. Based on such social intercourses of her husband, Gang could expand the boundary of her academic world and increase her opportunities to write. It is known that before Jeongildang, female writings and learning were practiced only 'beside' men or by 'overhearing' men learning their lessons. However, things were changed at the time of Jeongildang, since female learning and writing were practiced in and 'among' their living spaces like 'kitchen and chopping boards'. These are none other than the realities and cultures, peculiar and notable, which female writers in the lateChosun Dynasty grounded their learning and writing on. In addition, Jeongil-dang, woman as she was, could mention ethics and virtuous gentlemen and advance into such a sphere as women gained little access to at that time. The present author regards that it is not an exceptional case but a natural outcome of Gang's ceaseless efforts made in the 'life' cultural environment given to her in that era.

목차

국문초록

1. 서론

2. '대부자작' 시문 개관 및 성격 고찰

3. 윤광연과 정일당의 학문 및 글쓰기

4. 맺는말

참고문헌

Abstract

키워드

정일당 강씨 윤광연 대부자작 윤지당 임씨 여성 글쓰기 학문 Jeongil-dang Gang Gwang-yeon Yun Dae-bu-ja-jak(literary works created by women on behalf of their husbands) Yunji-dang Yim women writings and learning 姜靜一堂 尹光演 代夫子作 任允摯堂