피나 바우쉬의 〈봄의 제전〉에 대한 정신분석적, 미학적 고찰

• 영문명: A Psychoanalytic, Aesthetic Investigation of Pina Bausch’s The Rite of Spring: Drive, Montage, Uncanny and Aura
• 발행기관: 한국비평이론학회
• 저자명: 박선영(Seon-young Park)
• 간행물 정보: 『비평과 이론』제16권 1호, 51~82쪽, 전체 32쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2011.06.30

영문 초록

This study analyzed Pina Bausch’s the Rite of Spring in theories of Freud, Lacan and Benjamin. Pina Bausch was credited for introducing a new form of modern dance called ‘Tanztheater.’ She was praised for her harmonization of German Expressionism and American Modern Dance. She expressed a conflict between human desire, psycho-social compulsions and restrictions. In this aspect, Bausch and her the Rite of Spring were regarded to take choreography to a new level. Her choreography well demonstrated primary impulse of human beings as well as death drive. The real, drive and impulse were expressed through montage/collage techniques in her works. The compulsive repetition of movement generated uncanny feeling and anxiety throughout a dance. Dance lifted the body to the das Ding and in this process, movement of the fragmented part-drive was repeated and then these pieces were combined to create a system of meaning. Her dance and choreography are similar to analytic setting. Pina Bausch sought epistemological grounds which can face ‘the end of analysis.’ Such distance making was associated with the creation of ‘new aura.’ Her dancing was a symbolized act and gave a structure and order to this chaotic world.

목차

1. 들어가면서

2. 피나 바우쉬의 〈봄의 제전〉: 무엇이 그들을 춤추게 만드는가?

3. 충동과 몽타주의 미학

4. 언캐니의 경험, 새로운 아우라의 탄생

5. 알레고리적 이미지, 분석의 끝, 그리고 다른 향유: 결론을 대신하여

인용 문헌

Abstract

키워드

피나 바우쉬 〈봄의 제전〉 라깡 벤야민 죽음충동 언캐니 아우라 몽타주 Pina Bausch Rite of Spring Lacan Benjamin uncanny death drive aura montage