『오셀로』재현을 둘러싼 왕정복고기 공연 관행과 성 정체성 탐색

• 영문명: Restoration Theatrical Practices and Sexual Identity in the Representation of Otello: Stage Beauty
• 발행기관: 한국영미어문학회
• 저자명: 김민경(Minkyung Kim)
• 간행물 정보: 『영미어문학』영미어문학 제93호, 133~149쪽, 전체 17쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2009.12.30

영문 초록

Richard Eyre's Stage Beauty, which is based on the Compleat Female Stage Beauty written by Jeffrey Hatacher, represents Restoration theatrical practices via the performance of Othello In the beginning of the movie, Ned Kynaston is on the peak of his career as a female impersonator However, when Charles Ⅱ proclaimed a law allowing women on stage and banned men from playing female roles, his very existence was threatened Even though he had no other choice but to play a male role, he was unable to shake off the female characteristics he had been training since his boyhood After this downfall, he struggled to play male characters but he failed When he helped Maria play Desdemona, he overcame the female stereotype he internalized and succeeded in playing Othello Stage Beauty, dealing with performance, gender, and sexual identity, reveals many cultural aspects of Restoration culture through the representation of the contemporary theatrical practices

키워드

『스테이지 뷰티』 왕정복고기 연극관행 연기 젠더 성 정체성 Stage Beauty Restoration theatrical practices acting gender sexual identity