근대적 사랑의 세 가지 방정식

• 영문명: Three Equations of Modern Love: Oedipus, Phallus and Dark Precursor
• 발행기관: 한국비평이론학회
• 저자명: 장시기(Si-Ki Chang)
• 간행물 정보: 『비평과 이론』제13권 2호, 207~227쪽, 전체 21쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2008.12.30

영문 초록

In the western religion, mythology and history, love was represented in the various ways. In the European historical process of Christianity, love was changed from Agape, God's absolute love for man, into Platonic ideal love. In Greek and Roman mythologies, Eros was transfigured from the creative original force in which Chaos and Gaia had created the world of many particular things into the son of Venus, the goddess of beauty and desire, who is becoming a naughty boy, Cupid playing love games. And in the western human history, Philos of the first manhood without gods was changed into another concepts of friendship and philosophy according to the changing process of human history. As one concept of love had changed into another concepts, Sigmund Freud, Jacques Lacan and Gilles Deleuze are different from each others in the naming of love(Oedipus, Phallus, and Dark Precursor presented by Philos), but they are agreed with each others in Libido which Deleuze called Freudian discovery of it into "the intellectual revolution of 20th century." One of triology cinemas made by Alejandro Gonzalez Inarritu, Amores Perros(2000, Mexico) presents three love stories showing M exican socializing images of Oedipus, Phallus and Philos. Three characters representing three images have sexual libidos together, but they are making, in their social situations, of different love styles in which Octvio loves his old sister-in-law Susana, a successful magazine publisher Daniel leaves his family to live with the Spanish super-model Valeria. Their loves representing Oedipus and Phallus destroies in the end their lives. But El Chivo, who is an ex-private school teacher involving in guerrilla movements that led him to be jailed for 20 years, appears in the film as a bedraggled, nearly invisible homeless man pushing a junk cart accompanied by a half-dozen mongrel dogs that he cares for. In cinema, El Chivo is in fact a professional hitman. At times throughout his story, Chivo tries to make contact with his daughter, Maru, whom he abandoned when she was a child and who believes he is dead. But because he realizes that his social being makes of Maru and her mother, his ex-wife, as if a homeless dog Cofi is killing of a half-dozen mongrel dogs, he leaves his city to live with a homeless dog in the wasteland. In the end of cinema, we can imagine that he will make of different loves at times when he will come back to his city and social life. And we have to conclude that their loves are not Oedipus or Phallus, but they are all a circling process of becoming Oedipus, Phallus and Philos by Libido through Dark Precursor according to their cultural time and space.

목차

I. 사랑에 대한 프로이드, 라캉 그리고 들뢰즈의 시선

II. 근대적 사랑은 “개 같은 사랑”: <아모레스 페로스>

III. “어두운 전조”의 작동 방식

IV. “리비도”의 과학적 분석과 예술적 생성

인용문헌

인용영화

Abstract

키워드

무의식 아가페 아모레스 페로스 플라토닉 러브 어두운 전조 에로스 오이디푸스 팔루스 필로스 The Unconscious Agape Amores Perros Platonic Love Dark Precursor Eros Oedipus Phallus Philos