학술논문
Literature, Romantic System-Building and Porosity
이용수 19
- 영문명
- Literature, Romantic System-Building and Porosity
- 발행기관
- 한국영미어문학회
- 저자명
- Sungbum Lee(이성범)
- 간행물 정보
- 『영미어문학』영미어문학 제82호, 113~131쪽, 전체 19쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2007.03.30
5,080원
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국문 초록
영문 초록
According to Adorno and Horkheimer, the culture industry controls daily lives of the masses by reorganizing their sentiments and desires for economic interest and political need. They acknowledge that although culture seems to get away from politico-economic system, it in reality becomes an object for systematic management.
This institutionalization of culture moves back to the Romantic age. Although cultural production at the beginning of the twentieth century starts to be electrically-oriented and Romantic literary production at the turn of the eighteenth to the nineteenth century is print-oriented, two types of cultural production mirror each other. For, Romantics enthusiastically attempt to regulate the public"s sentiments in the name of the creation of taste as well. Literary production becomes a "moral steam engine" in Coleridge"s phrase.
It should be noted that cultural production becomes a new site where conflicting positions revolves around the issue of how culture/literature should operate in society. While Adorno disparages the culture industry as a planned deception, Benjamin defends it as a medium for the expansion of human senses. This controversy over whether the culture industry is manipulative or liberating is closely linked to the debate over whether literary education effects moral virtue or moral virus. The Lake School poet Southey defames Byron as the representative of the Satanic School, claiming that Byron disseminates what Southey termed "a moral virus." According to the Lake School poets, say, Wordsworth, Coleridge, and Southey, disciplined morals promote national wealth. Byron, as a kind of "moral virus," attempts to unbuild the moral system that the Lake poets wish to build. In an age when literature gets instituted as a moral engine to individualize social regulations, it simultaneously tends to question itself.
This institutionalization of culture moves back to the Romantic age. Although cultural production at the beginning of the twentieth century starts to be electrically-oriented and Romantic literary production at the turn of the eighteenth to the nineteenth century is print-oriented, two types of cultural production mirror each other. For, Romantics enthusiastically attempt to regulate the public"s sentiments in the name of the creation of taste as well. Literary production becomes a "moral steam engine" in Coleridge"s phrase.
It should be noted that cultural production becomes a new site where conflicting positions revolves around the issue of how culture/literature should operate in society. While Adorno disparages the culture industry as a planned deception, Benjamin defends it as a medium for the expansion of human senses. This controversy over whether the culture industry is manipulative or liberating is closely linked to the debate over whether literary education effects moral virtue or moral virus. The Lake School poet Southey defames Byron as the representative of the Satanic School, claiming that Byron disseminates what Southey termed "a moral virus." According to the Lake School poets, say, Wordsworth, Coleridge, and Southey, disciplined morals promote national wealth. Byron, as a kind of "moral virus," attempts to unbuild the moral system that the Lake poets wish to build. In an age when literature gets instituted as a moral engine to individualize social regulations, it simultaneously tends to question itself.
목차
Ⅰ. Introduction
Ⅱ. Literature, System and Romantic Rule
Ⅲ. Literary Institutionalization and Porosity
Ⅳ. Conclusion
Works Cited
Abstract
Ⅱ. Literature, System and Romantic Rule
Ⅲ. Literary Institutionalization and Porosity
Ⅳ. Conclusion
Works Cited
Abstract
해당간행물 수록 논문
- Beyond the Binary Opposition of Poetics and Politics: Shelley"s The Mask of Anarchy
- 『검은 코트를 입은 남자가 돌아서다』 - 시적 자아의 분리와 통합
- 스피박의 현대이론에 대한 해체적 개입 - 초기 저서를 중심으로
- Literature, Romantic System-Building and Porosity
- 영화로 이해하는 윌리엄 포크너와 버지니아 울프 - 〈시민 케인〉과 〈디 아워스〉
- 역사방언학 사례 연구 - 중세영어 ‘never’의 철자와 음운 변이
- 판소리 『춘향가』와 셰익스피어의 『로미오와 줄리엣』의 비교연구 - 사랑의 주제를 중심으로
- 등위 접속 명사구의 일치 비대칭 문제 - 허사 there 구문과 관련하여
- 클라인(Klein)과 라캉(Lacan)의 대화 - 딕(Dick) 소년의 공격성과 언어
- 원고작성 및 편집양식 외
- Demystifying the Inter-war Rive Gauche - Representation of Commercialized Urban Culture in The Left Bank
- Mimicking and Disrupting Binary Opposition - Salman Rushdie"s Midnight"s Children
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