마당극 <땅풀이>와 호주 원주민극 <브랜 누 대>의 탈식민성 고찰

• 영문명: A Comparative Study of and
• 발행기관: 어문연구학회
• 저자명: 송재일(Song Chae-il)
• 간행물 정보: 『어문연구』어문연구 제45집, 347~375쪽, 전체 29쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2004.08.01

영문 초록

This article is a comparative study of Korean Madang-geuk (Yard drama) (by Hwang Seok-yeong, 1980) and Australian Aboriginal drama (by Jimmy Chi and Kuckles, 1991). This research is conducted from the viewpoint of post-colonialism, analysing how to react actively against the invasion of foreign conqueror and the domestic inequalities and injustice. Madang-geuk and Aboriginal Drama took place at each different place and situation. They are not each interchange and solidarity. But, and are each individuality, as well as which are common feature. Korean citizens had been oppressed by dictators, and at them same time, super powers such as USA and Japan had advanced to affect South Korea by supporting the Korean despotic regimes and taking their economic profits in the 1970s-1980s. At that time, , which began to stage in the form of Madang-geuk, participated in the active resistance of such various forms of oppression. In the Australia, the movement and struggle for Aboriginal land rights took place 1966, which rear in the 1970s-1980s. ’s narrative focus on the Aboriginal search for a physical and spiritual homeland highlights a common concern of indigenous peoples uprooted by colonial settlement. The Aboriginal quest for cultural renewal is inevitably linked to a demand for land rights. and is an active resistant play which resists neo-colonialism, in the consideration of the specific nature of the third world. In this plays, the writers points out that the indigenous people in Jeju-do(island) and homeland are uprooted by losing their land to the outsider capitalists, which was the source of their survival and is attached to their identity. In , although Hwang Seok-yeong acknowledges the cultural hybridity accelerated by Westernization, he takes an ambivalent attitude, by resisting and overcoming the dependency which is embedded in the people. And Aboriginal playwriter Jimmy Chi search for identity of aborigines by hybridity and overcoming self-disrupion in .

목차

1. 머리말

2. 극적 상황의 탈식민적 대응 방식

3. 맺음말; <땅풀이>와 <브랜 누 대>의 탈식민성

참고문헌