학술논문
Quentin’s Journey toward Sister Death in William Faulkner’s The Sound and the Fury
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- 영문명
- 발행기관
- 한국아메리카학회
- 저자명
- Jung Min Kim
- 간행물 정보
- 『미국학논집』제56집 3호, 87~106쪽, 전체 20쪽
- 주제분류
- 인문학 > 기타인문학
- 파일형태
- 발행일자
- 2024.12.31
5,200원
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이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
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국문 초록
Quentin Compson is a tragic hero who suffers from the decay of the family and the nihilistic lack of all idealism. He feels pressure of the burden of his family’s past greatness and its present decline, particularly in connection with his sister Caddy. As his monologue involves his desperate struggle for his sister’s honor, Quentin is abnormally preoccupied with her feminine chastity. Quentin cannot bring any of his acts to completion until he decides to put an end to his life. What occurs to him in the morning of his last day first are time and Saint Francis of Assisi, who feared death but finally became reconciled with his own mortality so as to call it his sister. Thus Quentin desires to finish his struggle with time and intends to adopt the fraternal view of death of Saint Francis. And then, for Quentin, death is another dimension of himself, a part of natural order. At last, he hurries to get everything in readiness in order to embrace his sister death.
영문 초록
목차
Ⅰ. Introduction
Ⅱ. Quentin's Obsession with Time and Shadow
Ⅲ. An Italian Girl and Quentin's Lost Sister
Ⅳ. Quentin's Longing for “Sister Death”
Ⅴ. Conclusion
Works Cited
해당간행물 수록 논문
- 미국 재계의 풀뿌리 정치동원: 1970년대와 1980년대를 중심으로
- 정서 이방인의 대안적 가능성: 마거릿 애트우드의 『시녀 이야기』를 중심으로
- Quentin’s Journey toward Sister Death in William Faulkner’s The Sound and the Fury
- 공화당의 융합주의적 보수주의의 등장: 융합주의의 내용 및 논쟁 과정과 융합의 성공 배경
- “Each’ll help each”: Imagining Mutual Aid in The Grapes of Wrath
- Lagos as a Place of Arrival and Multiple Diasporas : Afropolitanism and Memories of Lagos in Teju Cole’s Every Day Is for the Thief (2014)
참고문헌
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