Images and Beliefs: The Expression of Taoist Cultural Symbols in the Roof Enameled Ceramics of Chaoshan Temples

• 영문명: 图像与信仰：潮汕地区庙宇屋顶嵌瓷中的道教文化符号表现
• 발행기관: Korea Institute for Humanities and Social Sciences(KIHSS)
• 저자명: 林佳静(LIN Jiajing)
• 간행물 정보: 『Journal of Global Arts Studies (JGAS)』Vol.2, No.4, 173~183쪽, 전체 11쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2024.12.31

국문 초록

[Background] The enameled ceramics art of Chaoshan temple, as a unique traditional art form, holds an important position in local culture and religious beliefs. With the modern design field's increasing attention to traditional culture, the Taoist cultural symbols in enameled ceramics art have gradually attracted attention. [Objective] This study aims to deeply analyze the Taoist cultural symbols in the enameled ceramics art of Chaoshan temple, exploring its craft characteristics, cultural significance, and the possibility of modern inheritance and innovation. [Method] By systematically organizing the materials, production techniques, and symbolic expressions of enameled ceramics, the study reveals the specific manifestations of Taoist symbols in the art and their deep integration with local culture. Additionally, the research discusses how enameled ceramics art constructs a unique visual language and cultural identity through the theories of Feng Shui and the Five Elements. [Results] The study found that Taoist symbols in enameled ceramics art, such as dragons, phoenixes, mythical beasts, and talismans, convey ideas like “Tao follows nature,” “comprehending Tao,” and “cultivating virtue,” reflecting the integration of religious beliefs and visual culture. Despite facing challenges in inheritance in contemporary times, enameled ceramics art is expected to break through traditional limitations and achieve modern development through innovative applications and global promotion. [Conclusion] Enameled ceramics art plays a significant role at the intersection of tradition and modernity. Its revitalization in contemporary society not only deepens the understanding of the role of Taoist cultural symbols in local architectural art but also provides insights into the inheritance and innovation of traditional art in modern society, showing its unique potential and development trends in modern spatial design.

영문 초록

【背景】潮汕地区庙宇嵌瓷艺术作为一种独特的传统艺术形式，在地方文化和宗教信仰中占据着重要地位。随着现代设计领域对传统文化的重视，嵌瓷艺术的道教文化符号逐渐受到关注。 【目的】本研究旨在深入分析潮汕地区庙宇嵌瓷艺术中的道教文化符号，探讨其工艺特色、文化意义以及现代传承创新的可能性。 【方法】通过对嵌瓷材料、制作技法及符号表达的系统梳理，揭示道教符号在嵌瓷艺术中的具体表现形式及其与地方文化的深度融合。同时，研究还探讨了嵌瓷艺术如何通过风水学说与五行理论构建独特的视觉语言和文化认同。 【结果】研究发现，嵌瓷艺术中的道教符号如龙凤、神兽、厌胜物等，传达了“道法自然”“领悟道”“修养德”等思想，体现了宗教信仰与视觉文化的交融。尽管嵌瓷艺术在当代面临传承困境，但通过创新应用和全球化推广，有望突破传统局限，实现艺术形式的现代化发展。 【结论】嵌瓷艺术在传统与现代的交汇中扮演着重要角色，其在当代社会的活化不仅深化了对道教文化符号在地方建筑艺术中的作用理解，也为传统艺术在现代社会的传承与创新提供了启示，展现出在现代空间设计中的独特潜力和发展趋势。

목차

1 引言

2 潮汕地区庙宇嵌瓷艺术的工艺特色

3 道教文化符号在嵌瓷艺术中的表现与解读

4 潮汕庙宇嵌瓷中的信仰功能与文化意义

5 当代潮汕庙宇嵌瓷艺术的传承与创新

6 结论

参考文献

키워드

Enameled Ceramics Taoist Culture Symbols Cultural Identity 嵌瓷 道教文化 符号 文化认同