An Analysis of the Artistic Features and Performance Points of Liszt's Third Song : “Liebestraum”

• 영문명: 李斯特《爱之梦》第三首艺术特征及演奏要领分析
• 발행기관: Korea Institute for Humanities and Social Sciences(KIHSS)
• 저자명: 栗畹晴(LI Wanqing)
• 간행물 정보: 『Journal of Global Arts Studies (JGAS)』Vol.2, No.4, 53~67쪽, 전체 15쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2024.12.31

국문 초록

[Background] “Liebestraum” is a piano work adapted by Lisz from love poems, which is divided into three pieces. [Objective] To explore the artistic characteristics and performance essentials of this work has certain research value and guiding significance for understanding Liszt's creating style. [Method] This article takes the third song of “Dream of Love” as the research object, collects and sorts out the related materials of publishing and literature, and carries out the theoretical comparative analysis based on practical performance based on its own piano performance practice activities. [Results] Liszt's “Dream of Love” No. 3 possesses distinct artistic characteristics that include a significant correspondence between poetry and music, a fusion of music and emotion, and a prominent symphonic treatment. [Conclusion] To comprehensively and accurately reveal the artistic qualities and performance methods of the third piece of Liszt's “ Dream of Love ” .On the basis of analyzing the artistic characteristics, the technical treatment of octave chords, the performance of colorful sections, the use of pedals, and other important and difficult points of the piece need to pay attention to and master in-depth analysis, the performance of the third piece of Liszt's “Dream of Love” from the overall control of the artistic characteristics of the third piece of the piece in order to be able to accurately explain the creator's yearning for and pursuit of love. The performer should control the artistic characteristics of the third piece in order to accurately interpret the creator's yearning and pursuit of love, and only through continuous improvement and refinement of the performance skills of the piece can the performer more freely integrate the emotional connotation of the piece with the performance skills, and realize the performer's emotional resonance with the admirers, while at the same time, more perfectly displaying the infinite charms and far-reaching effects of Liszt's“Dream of Love”.

영문 초록

【背景】《爱之梦》是李斯特改编的钢琴作品，由爱情诗歌改编而来，全曲共分为三首。 【目的】探究这一作品的艺术特征和演奏要领对于了解李斯特的音乐创作风格具有一定的研究价值和指导意义。 【方法】本文以《爱之梦》第三首为研究对象，收集、整理出版类、文献类相关资料，结合自身钢琴演奏实践活动对其展开基于实践表演基础的理论性对比分析。 【结果】李斯特《爱之梦》第三首这部作品在艺术表演上具有十分显著的诗歌与音乐对应、音乐与情感融合、突出交响化处理的艺术特征呈现。 【结论】揭示李斯特《爱之梦》第三首的艺术特质与演奏方法，在分析艺术特征的基础之上，对乐曲所需要注意和掌握的八度和弦的技术处理、华彩乐段的演奏、踏板的使用等演奏重难点进行深度剖析，演奏要从整体把控《爱之梦》第三首的艺术特征以便能够准确地诠释创作者对爱情的向往与追求，演奏者只有通过不断提升、精进该作品的演奏技巧才可以更加自如地将作品的情感内涵与演奏技巧融为一体，实现表演者与欣赏者达到情感共鸣的同时更加完美地展现李斯特《爱之梦》所带来的无限魅力与深远影响。

목차

1 引言

2 李斯特与《爱之梦》第三首简介

3 李斯特《爱之梦》第三首艺术特征分析

4 李斯特《爱之梦》第三首演奏要领分析

5 结论

参考文献

키워드

Liszt Liebestraum performing style performing skills 李斯特；爱之梦；演奏风格；演奏技巧