그레마스의 기호학적 사각형 개념으로 다시 읽는 체호프의 <벚꽃 동산>

• 영문명: Rereading Anton Chekhov’s with A.J. Greimas’ Concept of the Semiotic Square: Focusing on Lubov Andreyevna Ranevsky and Ermolai Alexeyevitch Lopakhin’s Desire and Emotion
• 발행기관: 고려대학교 러시아 CIS연구소
• 저자명: 정지현(Jihyun Jung)
• 간행물 정보: 『Acta Russiana』제15호, 45~58쪽, 전체 14쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2023.06.30

국문 초록

Anton Chekhov's play is often interpreted as a tragedy, despite the author's subtitle that it is a four-act comedy. One of the main reasons for this interpretation is the view that the characters move into an emotionally negative state after the sale of the cherry orchard. For two central figures of the work, Lubov Andreyevna Ranevsky and Ermolai Alexeyevitch Lopakhin, however, the possession and loss of the cherry orchard are not simply explained by the oppositions that are commonly associated with it, such as possession-joy and loss-sorrow. To examine this in more detail, French lingust A.J.Greimas's concept of the Semiotic Square was utilized. The four elements of possession/maintenance, loss, non-loss, and non-possession of the cherry orchard, corresponding to each corner of the square, which create the semantic action of the play. For Ranevsky, she has a non-loss desire to not lose the cherry orchard rather than a desire to possess/maintain it. When this defensive desire is thwarted, Ranevsky is able to relieve her economic hardship and distance herself from the ambivalent place of memory. Lopakhin's actions also initially focus on the non-loss rather than the possession of the cherry orchard, which then shift to possession. He felt anxiety as he moved from loss to non-loss but as he moves from non-loss to possession, his emotions transform into pleasure, fulfillment and guilt. Based on the concept of the Semiotic Square, this research attempts to examine the desires and emotions of the two main characters in according to possession/loss/non-loss/non-possession framework from the Semiotic Square, and read how they contribute to the tragicomedy nature of the work.

목차

들어가며

1. 그레마스의 기호학적 사각형 개념

2. 벚꽃 동산을 둘러싼 주요 인물의 정서 분석

나가며

참고문헌

키워드

안톤 체호프 벚꽃동산 라네프스카야 로파힌 그레마스 기호학적 사각형 희비극 Anton Chekhov The Cherry Orchard Lubov Andreyevna Ranevsky Ermolai Alexeyevitch Lopakhin A.J.Greimas Semiotic Square tragicomedy