The Application of Arch Structural Thinking in Walter Piston’s Three Pieces for Flute, Clarinet, and Bassoon

• 영문명: The Application of Arch Structural Thinking in Walter Piston’s Three Pieces for Flute, Clarinet, and Bassoon
• 발행기관: YIXIN 출판사
• 저자명: 滕海峰(Haifeng Teng)
• 간행물 정보: 『Journal of musicological studies』제1권 제1호, 35~44쪽, 전체 10쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2024.03.31

국문 초록

拱形结构广泛存在于自然界与人类社会，是一种经典力学结构。在20 世纪音乐当中，相当多作曲家使用该结构进行创作，以此获得某种音乐的控制。辟斯顿一生的创作丰富，相当多的作品运用了拱形结构思维，并将其作为结构整体与结构力重要部分共同看待。

영문 초록

Arch-like structures are common in both the natural world and human society, representing a classical mechanical framework. Many twentieth-century composers utilized this structure to compose music, aiming to achieve a certain level of control over the music. Walter Piston, a prolific composer, used arch structural thinking in many works, taking it as an integral part of both the overall structure and structural force.

목차

Ⅰ. Introduction

Ⅱ. Arch-like structural thinking in music

Ⅲ. The Arch-like Structural Thinking in the Trio for Flute, Clarinet, and Bassoon

Ⅳ. Conclusion

키워드

拱形结构思维 辟斯顿 三重奏 Arch-like structural thinking Walter Piston Trio Music Composition Musical Structure Musical Control