학술논문
On the theme and spirituality of Zhang Yimou’s color aesthetics
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- 영문명
- On the theme and spirituality of Zhang Yimou’s color aesthetics
- 발행기관
- ACADEMIC FRONTIERS PUBLISHING GROUP(AFP)
- 저자명
- LI Yan
- 간행물 정보
- 『Journal of Sinological Studies(JSS)』Vol.1 No.1, 21~26쪽, 전체 6쪽
- 주제분류
- 인문학 > 역사학
- 파일형태
- 발행일자
- 2024.03.30
4,000원
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국문 초록
The background of this study is that the exploration of Zhang Yimou's color aesthetics has stagnated in recent years, and the relationship between color changes and film themes has not received much attention from the academic community. The purpose of this study is to conduct an in-depth study of the thematic effects of color aesthetics in Zhang Yimou's films, and to explore the hidden connection between color and the expression of film ideas by exploring the changes in color characteristics of films. Based on the comparative analysis of works and literature analysis, combined with the relevant theories of narratology, this article comprehensively analyzes the relationship between the tonal changes of Zhang Yimou's films and narrative effects, rhythmic tension, personality characteristics and other elements. On this basis, it further explores Zhang Yimou's film tones. Color-induced value effects. Through this research, it was found that Zhang Yimou’s color aesthetics formed a secret linkage with the viewer’s visual perception, film speed and spiritual temperament. Ultimately, it focused on the theme and spirituality of the film, and formed a series of connections from the outside to the inside. , providing a new path for the study of color aesthetics in Zhang Yimou’s films.
영문 초록
本研究的背景在于张艺谋色彩美学的探究出现了近年来的停滞，色彩变化与电影主题之间的关联，并没有获得学术界的重视。本研究旨在深入研究张艺谋电影色彩美学的主题效应，通过对电影色彩特征变化的探讨，挖掘色彩和电影思想表达的隐秘关联。本文在作品比较分析法和文献资料分析法的基础上，结合叙事学相关理论，综合分析张艺谋电影色调变化与叙事效应、节奏张力、人格特征等要素的关联，在此基础上，再深入探索张艺谋色彩引发的价值效应。通过此研究发现，张艺谋的色彩美学与观者视觉感知、电影速度和精神气质都构成了隐秘的联动关系，最终贯注到电影的主题性与精神性，并构成了一系列由表及里的关联，为张艺谋电影的色彩美学研究提供一个新的路径。
목차
1 由浓烈到疏离：生命消解和美学简化
2 由快速到缓慢：美学动能衰减和张力内化
3 由微观到宏观：中心化背离和人格虚无
参考文献
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