남북한 극예술의 판소리 수용과 창극의 진로

• 영문명: The Acceptance of Pansori in Contemporary South and North Korean Dramatic Performance and the Direction of Changguk
• 발행기관: 판소리학회
• 저자명: 정병헌
• 간행물 정보: 『판소리연구』제17집, 327~365쪽, 전체 39쪽
• 주제분류: 인문학 > 언어학
• 파일형태: PDF
• 발행일자: 2004.04.30

영문 초록

Pansori is a Korean traditional performance. It has character of literature, music, drama. So, it made pansori-novel, Sanjo, Changguk and Madangguk(Field Drama). The Revolutionary musical drama in North Korea is also influenced by Pansori. This work aimed to set the desirable direction of Changguk by comparing South abd North Korean Dranatic Performance. Changguk is formed at the beginning of the twenty century by the great Pansori singers. So Changguk has many characters of Pansori, but is not Pansori itself. Because Changguk is already changed to drama. Many Pnsori singers established the Rearch Institution of Chosun's Vocal Music in 1933, and made many manifold repertories of Changguk. The representative leader, Jeong Jungyul, made diverse exercise of Changguk, so most practicable frame was formed at that time. The Korean political situation of 1970' is reflected in the Madangguk(Field Drama). That genre satirized a dictatorship and many people liked it passionately. Pansori is the basic source of Madangguk, so many elements are similar to Pansori genre. The reason why many Pansori singers participate in that performance. The Revolutionary Musical Drama is made by the North Korean artists. Pansori and opera were concerned in the creation of that genre. The representative masterwork, 'Bloody Sea' is performed at 1971, and Pansori was disappeared in North Korea. Because the dictator, Kim Ilsung, was averse to the musical provisions of that genre, but that spirits is remained at themes and characters of the Revolutionry Musical Drama, We can come up with the answer to the desirable direction of Changguk in the exercises of Madangguk, Changguk and Revolutionary Musical Drama. However that performances are based on the principles of Pansori, so Changguk should have a original Korean frame.

목차

Ⅰ. 머리말

Ⅱ. 창극의 형성과 변화

Ⅲ. 판소리의 긍정적 계승

Ⅳ. 북한 극예술의 판소리 수용

Ⅴ. 결론

참고문헌

키워드

남북한 극예술 판소리의 극적 성격 창극 판소리 마당극 혁명가극 전통극 Korean traditional drama contemporary drama of South and North Korea Pansori Changguk Madangguk Revolutionary Musical Drama Principles of Pansori