모차르트의 현악4중주 K. 465, ≪불협화≫에 나타난 표면적 불협화와 거시적 불협화

• 영문명: Superficial versus Structural Dissonance Witnessed in Mozart's String Quartet K. 465, ≪Dissonance≫
• 발행기관: 한국서양음악학회
• 저자명: 송무경
• 간행물 정보: 『서양음악학』제10권 제1호, 179~195쪽, 전체 17쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2007.01.30

영문 초록

This paper focuses upon how one hears the bizarre slow introduction of Mozart's String Quartet K. 465, first movement entitled “Dissonance.” For this task, I have incorporated and criticized Heinrich Schenker's analytic graph and perspective of the slow introduction and finally proposed a new analysis that takes the prominent role of and its harmonic supporter V7 as a main theme. My graph is different from Schenker's not only in that I have chosen at m. 7 as earlier as Schenker, but also in that I saw the slow introduction as an essential part, not simply as a prefix to the following body. The abrupt register transfer (mm. 31-35), voice cross between the two violins (m. 35), motivic parallelism found at mm. 8-13 etc. open a possibility of the alternative reading. The alternative graph represents the structural as well as aesthetic characteristics of the slow introduction, not only because the dissonant and unsettled quality originated from the tonal conflict and ambiguity is reflected on the deep-level structure, but also because what I call “the structural dissonance” that governs the entire introduction has influenced upon the exposition and thus integrated the two formal sections into a inseparable structural unit.

목차

1. 들어가며

2. 본론

3. 나가면서

참고문헌

키워드

모차르트 현악4중주 K. 465 대사 구조적 불협화 쉔커식 분석이론 음역이동 성부교차 동기적 유사성 Mozart's String Quartet K. 465 Cross Relation Structural Dissonance Schenkerian Theory Register Transfer Voice Cross Motivic Parallelism