- 영문명
- 10.35955/JCH.2019.08.72.349
- 발행기관
- 중국인문학회
- 저자명
- 김희경
- 간행물 정보
- 『중국인문과학 』제72집, 349~371쪽, 전체 23쪽
- 주제분류
- 인문학 > 문학
- 파일형태
- 발행일자
- 2019.08.30
5,560원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.

국문 초록
영문 초록
In the term ‘Guyi’, ‘Gu’ implies the poetry from the prior era of Jin Dynasty (221– 206 BC) in China and ‘yi’ has a meaning of the poetry that were not listed in the ≪ Book of Odes≫. The compilers of all the times who fabricated the anthologies had diverse perspectives on the ‘Guyi’ because the ‘Guyi’ poems were old and no evident records were existed. On the other hand, the ‘Guyi’ poems sometimes can be a good reference point for comparison in researching other anthologies of poetry due to such diverse perspectives. This study selected an old anthology of poetry called ≪Gushiyuan≫, implying ‘Old Poem Source’ and other poetry anthologies, which are associated with that, afterwards, compared a diversity with the ≪Gushiyuan≫. The ≪Gushiyuan≫ is an old anthology of major poems in the Chung Dynasty of China and was significantly affected by the ≪Gushiji≫, which is a ‘Complete Anthology of Old Poems’ of the Myung Dynasty. It is necessary to pay attention to ≪Caishutanggushixuan≫ among old anthologies of the Chung Dynasty as an anthology that affected ≪Gushiyuan≫. In addition, the ≪ Gushishangxi≫ is an old anthologies of the Chung Dynasty that was affected by ≪ Gushiyuan≫ in the times after it. This study selected 4 poetry anthologies such as ≪ Gushiyuan≫, ≪Gushiji≫, ≪Caishutanggushixuan≫, and ≪Gushishangxi≫, and aimed to elucidate the associations among those anthologies by comparing the poems within Guyi section of each anthology. First of all, the perspectives of compliers for the Guyi poems were examined through the arrangement and volume of Guyi section in each anthology in terms of composition of those anthologies. The ≪Gushiji≫, which is a ‘Complete Anthology of Old Poems’ contained the Guyi poems in about 7% of the entire contents, ≪Gushiyuan ≫ and ≪Gushishangxi≫ showed twice of ≪Gushiji≫, 13.6% and 13.7%, respectively, whereas ≪Caishutanggushixuan≫ exhibited only 5.4% of entire volume, demonstrating a discrepancy in perspective. Furthermore, unlike that ≪Gushiyuan≫ and ≪ Gushishangxi≫ placed Guyi section at very first part of the entire composition, ≪ Caishutanggushixuan≫ was reflecting different perspective on the Guyi poems by arranging the Guyi section in the last part of the anthology. Afterwards, this study organized the list of Guyi section in each anthology. It was identified that other anthologies except ≪Gushiyuan≫ have had sub-units according to the intention of compliers and have listed based on the sub-units. This indicates that the selected anthologies were reflecting the characteristics of each anthology in accordance with the reference of compliers. As a different comparison result, this study examined an overlapping rate of poems in the Guyi section of other three anthologies based on ≪Gushiyuan≫. The poems except only two poems in ≪Gushiji≫ were overlapped with those in ≪Gushiyuan≫. Therefore, it was able to confirm that ≪Gushiji≫ was a ‘Complete Anthology of Old Poems’ that played a role as meaningful data in completing ≪Gushiyuan≫. The ≪ Caishutanggushixuan≫, which was completed slightly earlier than ≪Gushiyuan≫ in the same Chung Dynasty, also affected ≪Gushiyuan≫ with about 84% of overlapping rate. The ≪Gushishangxi≫, which was completed after ≪Gushiyuan≫, also showed about 67% of overlapping rate and the most similar tendency with ≪Gushiyuan≫ in arrangement of the Guyi poems. Based on the description so far, it is able to know that although 4 poetry anthologies such as ≪Gushiyuan≫, ≪Gushiji≫, ≪Caishutanggushixuan≫, and ≪ Gushishangxi≫ exhibited a discrepancy in the volume and arrangement of Guyi section in entire works of each anthology, the characteristics of each anthology, for instance, sub-units of each, were shown when comparing the list of Guyi section. Moreover, as shown in the overlapping rate in t
목차
Ⅰ. 서론
Ⅱ. 4종 古詩選集體例와 古逸詩
Ⅲ. 4종 古詩選集중 古逸詩수록현황
Ⅳ. 4종 古詩選集중 古逸詩의 분류상 특징
Ⅴ. 결론
키워드
해당간행물 수록 논문
- 中國人文學會 會則 외
- 중국 新詩의 起源에 관한 고찰
- 고대한어 '今夫, 若夫, 且夫'가 단어인가
- ‘重視’와 ‘輕視’를 의미하는 동사에 관한 연구
- 李時憲의 山水詩와 그의 陶淵明⋅王維隱逸意識영향 관계 연구
- 老舍소설의 어릿광대 형상 고찰
- 중국어‘谚语’에 내포된 객관량(客觀量) 과 주관량(主觀量) 표현 연구
- 秦系文字出土槪況簡述
- “着迷”类离合词偏误研究
- <伯夷列傳>의 “怨邪非邪”와 “是邪非邪”를 통해서 본 行間的脈絡과 重意的層位
- 韓·中古代詩歌에 드러난 “後庭花” 意象硏究
- 論“醜書”在當代中國文化中的不被兼容: 對於“射墨”事件引發的“醜書”批判熱潮的反思
- 현대 중국의 교민정책 변화에 관한 고찰
- 중국 소비시장의 새로운 플랫폼
- 韩中后缀“X师”的语义研究
- 현대중국어 ‘好容易’와 ‘好不容易’에 관한 연구
- ‘영화황제’ 김염(金焰)의 항일영화인 형상*
- 갑골문 수렵복사에 보이는 길짐승 관련 고찰
- 沈从文的“实感经验”与20世纪中国文学的“世界性因素”研究
- 文革时期语言词汇研究的回顾与展望
- <大唐三藏取經詩話>와 雜劇<西遊記> 비교 연구
- 영상도식과 그릇도식을 통한 한ž중 차등 비교문에서의 비교결과 분석
- 옌롄커의 소설 ≪인민을 위해 복무하라≫에 나타난 허위와 실체
- 19、20世紀之交日俄在韓半島角逐分析: 以≪知新報≫的報道為中心
- 茶船古道與六堡茶的历史文化
- 『無門關』에 나타난 ‘將’의 용법 小考
- 宋代 「河圖ž洛書」圖象의 出現과 그 定立過程
- 韓少功소설을 통해 본 예술적 의미로서의 현대성 고찰
- 중국인문과학 제72집 목차
- ≪고시원≫과≪고시기≫,≪채숙당고시선≫, ≪고시상석≫ 선시(選詩) 비교
- 汉语“饭”和韩语“밥”的认知隐喻对比研究
- 以≪雨巷≫谈戴望舒诗歌之意境美
- 언어유형론적 시각에서 본 한국어“NP+AP+V” 중간 구문과 중국어“NP+V起来+AP” 중간 구문
- 遊牧文化的觀點에서 본 傀儡子의 發生과 傳播經路試論