동양철학이 서양 클래식 음악교육에 미친 영향

• 영문명: The Impact of Eastern Philosophy on Western Classical Music Education: Focusing on the Influence of Confucianism in China
• 발행기관: 조선대학교 국제문화연구원
• 저자명: 김준호(Kim, Joonho) 이지선(Lee, Jisun)
• 간행물 정보: 『국제문화연구』Vol.15 No.2, 21~44쪽, 전체 24쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2022.12.31

영문 초록

Most East Asian countries have an educational environment based on the spitirual heritage of the Confucian culture. The outstanding performance skills and musical achievements of East Asian performers need to be found in the unique thought and culture of East Asia how classical music originated in the West, especially Europe, was accepted, formed, developed and influenced in these East Asian countries. Throught this study, the successful internalization and performance creation process of Western classical music education in which East Asian value systems are transplanted from other cultures will be explored to reveal the value and expandability of humanistic philosophy inherent in the consciousness of East Asian countries. The educational philosophy of Confucianism, common to all East Asian countreis, has influenced the methods and purposes of the curriculum for a long period of history. In particular, China, the birthplace of Confucianism, has undergone great changes in the negative and positive aspects of traditional Confucianism in modern history, which has an impact on the introduction and spread of Western classical music and the exploration of training methods and spirits for new music styles. This study explored the interaction between the philosophy and art of different cultures by exploring the spiritual and ideological bases for the outstanding achievements of East Asian artists in the process of encountering Eastern philosophy and Western art. In order to enhance the musical perfection of Western classical music, which has been established as the upper culture of music art, oriental values and aesthetic perspectives are affecting the attitude of performers.

목차

Ⅰ. 서론

Ⅱ. 중국과 서양 클래식 음악

Ⅲ. 유교의 미학적 인식

Ⅳ. 유교와 서양 클래식 음악

Ⅴ. 결론

키워드

중국 음악교육 클래식 음악 동양철학 유교사상 미학 Chinese music education classical music philosophy of orient Confucianism aesthetics