｢게론티온｣의 하이데거적 읽기

• 영문명: A Heideggerian Reading of “Gerontion”
• 발행기관: 한국T.S.엘리엇학회
• 저자명: 김병옥(Kim, Byung-Ok)
• 간행물 정보: 『T. S. 엘리엇연구』제14권 제2호, 7~38쪽, 전체 32쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2004.12.30

영문 초록

“Gerontion” discloses an event of an old man's existence. Following Heidegger's phenomenology I examine how Eliot describes this event. This article consists of three parts. The first part is a brief introduction to Heidegger's notion of how poets disclose Being. In the second part I attempt to find in “Gerontion” phenomenological parallels with Heidegger. In the Origin of the Work of Art Heidegger says works of art include events of Being and that poets attempt to bring these events into “the greatest possible proximity to us.” What Heidegger means by the greatest possible proximity is equivalent to what we call the visual immediacy which is one of the key terms in the twentieth-century aesthetics and means that entities are made present in just the way they look. Eliot's rhetoric insists that the only means to visual immediacy is through a rethinking of the poetic tradition. For Eliot there is no other approach to poetic truth except through constant reflection on tradition, that is, destructive (Heidegger's term) orientation toward the past. The third part is the conclusion. Eliot's own term for visual immediacy is immediate experience. In the Concept of Being in Hegel and Heidegger Gerhard Schmitt says what Heidegger means by Being is “the indeterminate immediate” which cannot be discovered through determinate concepts. Schmitt implies that we can discuss Heidegger's concept of Being and Eliot's immediate experience on the same level.

목차

Ⅰ. 들어가며-하이데거의 생각

Ⅱ. 「게론티온」읽기

Ⅲ. 마무리-하이데거의 존재론과 엘리엇의 직접성 개념

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키워드

「게론티온」 하이데거 진리 직접성 언어 “Gerontion” Martin Heidegger aletheia immediacy language