환상의 거리와 실재의 귀환

• 영문명: Streets of the Fantastic and the Return of the Real: An Aspect of T. S. Eliot's Early Poetry
• 발행기관: 한국T.S.엘리엇학회
• 저자명: 이홍섭(Hongseop Lee)
• 간행물 정보: 『T. S. 엘리엇연구』제18권 제1호, 103~129쪽, 전체 27쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2008.06.30

영문 초록

The main aim of this article is to explore the significance of the fantastic in Eliot’s early poems. Influenced by Charles Baudelaire, whom he championed as the single most important precursor who unprecedentedly fused the realistic with the fantastic, Eliot critically examined the experience of modernity and re-presented urban streets as a problematic site of modernity in his early poems such as “The Love Song of J. Alfred Prufrock,” “Morning at the Window,” “Rhapsody on a Windy Night,” The Waste Land. The fantastic in the works is not the aesthetic realm where social realities are erased but that of politics where they are shockingly re-presented and ghosts symbolizing modernity’s others visually haunt to criticize its horrible conditions.

목차

도시의 거리와 환상성

「바람 부는 밤의 광상곡」 과 비/실재의 거리

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키워드

거리 그로테스크 근대성 실재 환상성 보들레르 T. S. 엘리엇 「바람 부는 밤의 광상곡」 street grotesque modernity the real the fantastic Baudelaire T.S. Eliot. “Rhapsody on a Windy Night.”