학술논문
유기론적 전통과 엘리엇의 비평
이용수 4
- 영문명
- Organicism and Eliot’s Critical Theory
- 발행기관
- 한국T.S.엘리엇학회
- 저자명
- 이윤섭(Yoonsup Lee)
- 간행물 정보
- 『T. S. 엘리엇연구』제19권 제2호, 167~191쪽, 전체 25쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2009.12.30
5,800원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
This article aims to interpret T. S. Eliot’s doctrine of the objective correlative in terms of the European tradition of organicism. A consideration of the organic implications in Eliot’s major critical concepts, such as “a whole of feeling,” “unified sensibility,” and “depersonalization,” reminds us that Aristotle, Longinus, and Horace also highly valued the organic relation between the part and the whole and the organic unity of thought and feeling in great classical poetry. S. T. Coleridge had imported organic ideas from German thinkers and applied them to his Shakespearean criticism. Refuting the neo-classical view that Shakespeare failed to give an adequate verbal form and organized structure to his talent, Coleridge insisted that “no work of genius dares want its appropriate form,” and eulogized Shakespeare’s organic verbal structure equal to his genius. But, contrary to Coleridge, Eliot underestimated Hamlet as an artistic failure on the ground that Shakespeare could not find the objective correlative equivalent to Hamlet’s bafflement. However, it is worth noting that in the course of denouncing Hamlet, Eliot invented his doctrine of the objective correlative, which is an adoption of the organic principle inherited from S. T. Coleridge and Gottfried Leibniz. In his Knowledge and Experience, Eliot noticed that, having essential organic features, Leibniz’s windowless monad was very similar to F. H. Bradley’s concepts of the finite centre and immediate experience. In these concepts of holistic and empirical idealism, the distinctions between the subjective and the objective, spirit and matter, self and the world, feeling and image, and form and content cannot be maintained for their mutual interdependence. So, it should be said that the concept of the objective correlative was a special application of Eliot’s general principle of “the unity of feeling and objectivity,” for feeling and objectivity are only discriminated aspects of the whole experience. He remarked that there was the mutual inclination of mental feeling and verbal image to react upon one another so inexplicably that the relation should be said to be organic. Therefore, the organic features implied in his critical concepts and, in particular, the doctrine of the objective correlative confirms that he achieved a rapprochement between modern poetics and traditional authority.
목차
인용문헌
키워드
해당간행물 수록 논문
- 유기론적 전통과 엘리엇의 비평
- 제1회 T. S. 엘리엇 국제 여름학교 참가기
- The War Within: Feeling and Intellect in Early Eliot
- “If you came this way”: the Route to “Little Gidding”
- 실험적 전략들
- 엘리엇의 『네 사중주』
- 도덕성의 기준으로서의 형이상시에 대한 추구
- 『황무지』의 하이퍼텍스트성
- 「텅 빈 사람들」에 나타난 공간의 시학과 화자(/들)
- Eliot’s Depersonalizing Techniques in the Quatrain Poem “Burbank with a Baedeker: Bleistein with a Cigar”
- Four Quartets: Defeated Anima
- F. H. 브래들리와 T. S. 엘리엇 연구
참고문헌
관련논문
어문학 > 영어와문학분야 BEST
더보기어문학 > 영어와문학분야 NEW
- 현대 비극의 ‘사라지는 하마르티아’와 ‘투쟁의 운명’
- Transitions of (The) Flower Drum Song: From Chin Yang Lee to David Henry Hwang
- 영어 부정극어 발화유형 비교
최근 이용한 논문
교보eBook 첫 방문을 환영 합니다!
신규가입 혜택 지급이 완료 되었습니다.
바로 사용 가능한 교보e캐시 1,000원 (유효기간 7일)
지금 바로 교보eBook의 다양한 콘텐츠를 이용해 보세요!