중국, 한나라의 서한(西漢)초기 칠기 의장 연구

• 영문명: The Study on the Design of Lacquerware Made in the Early Western Han Period of Han Dynasty in China
• 발행기관: 한국가구학회
• 저자명: 송진화(Zhen Hua Song) 임승택(Seung Taek Lim)
• 간행물 정보: 『한국가구학회지』제33권 제1호, 11~33쪽, 전체 23쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2022.03.30

영문 초록

This study has analyzed the modeling traits of 125 lacquer ware samples unearthed from ancient tomb since early Western Han Dynasty. At present, although Han Dynasty lacquer ware has received excellent evaluation, the research on its modeling traits is very limited, which is aimed to find out the excellence of lacquer ware making technology and provide basic information for the study of lacquer ware in the Han Dynasty by studying the lacquer ware in the golden period of Chinese history. The political institution and social stability has laid a solid foundation for the development of lacquer art in the early Western Han Dynasty. In terms of culture and philosophy, it was influenced by China’s Chu culture, Taoism, Yin-yang and five elements theory. As a result of handicraft industry system, social demand and technological development in the early Western Han Dynasty, the efficiency of lacquer production was greatly improved. This background played a positive role and the lacquer art in the early Western Han Dynasty had distinct characteristics. The lacquer ware in early Western Han Dynasty was mainly of functional varieties such as boxes and plates, and most of its types were articles of daily use and bronze imitations. The lacquer body was mostly wooden. The pattern materials were natural patterns, animal patterns and geometric patterns in turn. The main patterns were cloud, dragon, phoenix and so on, and the subordinate patterns were cloud, geometry, bird and so on. The primers were red-inside and black-outside, of which the black was more. The pattern colors were red. The layout of decorative patterns took single pattern and “S” shape composition as the main pattern, two continuous pattern as the subordinate pattern. Abstract deformation technique was mainly applied in the pattern expression. The pattern of lacquer painting performance was to complete the modeling style with colored painting techniques. Above all, lacquerware with obvious traits in the early Western Han Dynasty has gone till modern times. In the future, I hope that research on the design of lacquerware of the Han Dynasty will be studied from a deeper and more diverse perspectives, and it will be a reference for similar research.

목차

1. 서론

2. 서한 초기 칠기의 시대적 배경

3. 중국 한대 이전의 칠기 고찰

4. 서한 초기의 칠기 의장 분석

5. 결론

참고문헌

키워드

Han dynasty lacquerware main patterns red-inside and black-outside colored painting techniques