‘戰場’類 漢詩의 情緖와 類型(1)

• 영문명: ‘A battlefield(戰場)’ Chinese poetry s types and emotions(1)
• 발행기관: 동방한문학회
• 저자명: 金英珠(Kim, young-ju)
• 간행물 정보: 『동방한문학』제37호, 1~13쪽, 전체 13쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2008.12.30

영문 초록

This thesis consider ‘a battlefield(戰場)’ Chinese poetry s types and emotions. A battlefield(戰場) Chinese poetry present the misery of a war and a grief-stricken pity for the war dead. Seongho(星湖) Iik(李瀷)은 expect the original nature s discovery, a self- reflection of a statesman and the achievement of governing a country. Jeoheon(樗軒) Iseokhyeong(李石亨) and Wolheon(月軒) Jeongsugang(丁壽崗) reveal his true heart for a large number of the war dead who fell a victim to hunting for concessions. ‘The Hang(行)’ is a type of a metrical poetry. Using this type was created poem which given a title of ‘Jeonjanghang(戰場行)’. Hogok(壺谷) Namyongik(南龍翼) showed a unique form which was against a fixed form and a rhymed scheme. He interiorize his feeling toward the misery of Ming(明) army s ignominious defeat against Ching(淸) s army. Seosandaesa(西山大師) was treated contemptuously in Joseon(朝鮮) which pursue the policy of Confucian ideas. But he joined national misfortune, and emphasize a defense and special precautions about the national misfortune through ‘Jeonjanghang(戰場行)’ poem. With the same title and a rhyming word, Samtan(三灘) Yseungso(李承召)와 Jiniljae(眞逸齋) Seonggan(成侃) s poem are marked by their individuality. In those poems, they expressed their pity for the war dead.

목차

1. 머리말

2. 戰場 소재 한시의 情緖와 類型

3. 결론

참고문헌

키워드

Iik the original nature a self-reflection Jeongsugang true heart Namyongik interiorize Seosandaesa Jeon- janghang a defense, special precautions Yseungso Seong -gan 李瀷 丁壽崗 南龍翼 西山大師 戰場行 李承召 成侃