동아시아 佾舞의 예악론적 함의와 미학

• 영문명: A Study on Implication and Aesthetics of East Asian Royal Ritual Dancing based on Theory of Rite and Music
• 발행기관: 동방한문학회
• 저자명: 李敏弘(Lee, Min-hong)
• 간행물 정보: 『동방한문학』제68호, 241~266쪽, 전체 26쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2016.09.30

영문 초록

According to written by Gongbuja in the 6th century B.C., Yugilmoo(六佾舞) which refers to a royal ritual dancing in six lines was performed at Gojungja(考仲子) s palace(宮) in the fifth year of the reign of Engong(隱公), and this shows the long history of royal ritual dancing, briefly called Ilmoo, in East Asia. Also in case of the Jungwon dynasty, it changed Munjil(文質), Jeongsak(正朔), Boksaek(服色), Hwuiho(徽號), and Gigyae(器械) according to the principle of Jyeraejagak(制禮作樂), which means a dynastic revolution should lead to the creation of new rite and music, abandoning the former dynasty s ones. This way, Ilmoo is very important especially in understanding history and culture of East Asia. Ilmoo encompasses not only dance , but also a wide range of profound reasons. In this context, this study aims to see the implication of Ilmoo by looking into the historic literatures, and also at the same time, to figure out the correlation between Ilmoo and palpung, paljeol, and palgyoe . In addition, this also covers the correlation between Palilmoo which refers to a royal ritual dancing in eight lines and Cheonjayeak, and also the development aspects of Ilmoo throughout the Joseon Dynasty. While the past dynasties of Korea performed Palilmoo accepting Wongu Rite of Jungwon from the Goryeo Dynasty, the late dynasties followed the East Asian order of rite and music, at least officially, overwhelmed by Jungwon s power. In case of the Joseon Dynasty, Palilmoo was also performed occasionally during the early and middle years. But as the mighty united-political power was established, it was replaced by Yugilmoo to promote the national interests and provide for the welfare of the people. And then, as the Korean Empire began, Palilmoo started to be performed again for ritual ceremonies and religious rites. This way, Ilmoo has been closely connected with political situations, beyond just dancing, in East Asia. It throws a question to us living in this twenty-first century if we don t have any fetter, even in other fields, just like Palilmoo in the past.

목차

1. 문제의 제기

2. 일무의 예악론적 함의

3. 팔일무와 팔풍․팔절․팔괘

4. 팔일무와 천자예악

5. 조선조 일무의 전개 양상

6. 결론

참고문헌

키워드

Palilmoo Yeakron Cheondan Cheonjayeak Jewhooyeak Yukdaemyoak Palpoong Palgyoe Paleum Paljeol 八佾舞 禮樂論 天壇 天子禮樂 諸侯禮樂 六代廟樂 八風 八卦 八音 八節