학술논문
몽골 영웅서사시 <장가르>의 기원 문제
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- 영문명
- A Study on the Origin Issue of Jangar, a Mongolian Heroic Epic
- 발행기관
- 한국몽골학회
- 저자명
- 이안나(Lee An-na)
- 간행물 정보
- 『몽골학』제34호, 261~289쪽, 전체 29쪽
- 주제분류
- 인문학 > 기타인문학
- 파일형태
- 발행일자
- 2013.02.28
6,280원
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국문 초록
영문 초록
The epic poem Jangar is called one of the three great epic poems of Central Asia along with Geser and Manas, being a grand series epic poem on the origin of Mongolia containing about 200,000 verses. In Jangar, the tales of heroism of Jangar and his warriors make up their own independent narrative, which is why it is classified as an anthology-type epic. It is a Medieval epic poem reflecting the tales of heroism and actions of heroes that tried to protect their tribes in the middle of complex confrontations with and invasion of the surrounding tribes, as well as the hopes and wishes of the people. The issue of its origin has not been solved yet; discussions have continued on about when and where the epic was created and where it was spread and had influences. Geographically speaking, it is considered that the epic was created by the people of Oirad in the west of Altai. However, there are different views on the exact location. There are theories arguing that it was originated in the Kalmuks of the Volga River north of the Caspian Sea or in the Xinjiang Oirad before their move. Of the theories, the most predominant one sees Hoboksair as its origin because the region has many Jangarchs and also many chapters and different versions of Jangar. It holds some persuasive power, given the history and geopolitical location of Hoboksair and the circumstances of the epic. The predominant theory maintains that the epic was created between the 13th century and the 18th century, but some trace back to the very early ancient times including before the 13th century, the 9th century, and the era of primitive community. A theory argues that the individual legends or small-sized legends about Djangar evolved into a full-fledged epic poem between the former half of the 15th century and the former half of the 17th century, holding back the assumption about its creation. Another theory argues that the decisive parts of the epic were created before the 17th century. Those theories reflect the attributes of oral literature. In addition, The diversity of research on the origin of Jangar has been expanded based on the study of its different versions of different regions, but the scope of the investigator was not broad. Moreover, there is a trend of conducting research or project according to the national cultural policies in China, which presents some kind of obstacle in the pure academic aspect.
목차
1. 서론
2. <장가르> 서사시의 공간적 기원에 대한 논의
3. <장가르> 서사시의 시간적 기원에 대한 논의
4. 맺는말
해당간행물 수록 논문
- 몽골경제의 성장과 한·몽 경제협력관계의 재정립 방향
- 현대 몽골어 보조동사의 특성과 분류
- 유목문화와 말(馬)
- 몽골지역에 전승되는 고대 한민족관련 기원설화에 대하여
- 東明(T’umen) 루트
- 인적자본 부문에 대한 한국과 몽골의 경제협력방안 연구
- 강희제의 제1차 대(對) 준가르 몽골 친정 과정 및 영향
- Dravidian and Altaic: implications of the established parallels
- 몽골 영웅서사시 <장가르>의 기원 문제
- 쿠빌라이 정부의 오르톡 정책과 해상무역의 발전
- 21세기 한·몽 사회문화 교류의 활성화 방안과 전망
- 한국, 몽골, 북한 간의 사회문화 교류에 있어서 몽골의 역할 분석
- <단군신화>와 <게세르칸>서사시의 비교 연구와 쟁점
- 동·서 올로스 반란에 대한 쿠빌라이의 대응
참고문헌
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