The Durham Oriental Music Festival and its Legacy

• 발행기관: 아시아음악학회
• 저자명: Keith Pratt Simon Mills
• 간행물 정보: 『Asian Musicology』Asian Musicology Vol.27, 137~178쪽, 전체 42쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2017.04.30

영문 초록

hosted a series of three unprecedented festivals. Their aim was to introduce Western audiences to the traditional music of Asia by means of concerts, lectures, workshops, films and exhibitions. Countries represented by top-class artists and scholars were China, Korea, Japan, Turkey, Egypt, Iraq, Iran, India, Bangladesh, Thailand, Indonesia, Vietnam and Laos. Overcoming many difficulties, the Durham Oriental Music Festival acquired a worldwide reputation and successfully helped to promote Asian music and ethnomusicology in the West. In 2009 Durham University revived its aims by introducing a Festival of East Asian Music. More modest in scale, this annually promotes performance and study of musical themes from countries of East Asia, again putting emphasis on authenticity and high quality.

목차

Prelude

First Movement

Performers and Performance

Finale

Coda

End Note

References

키워드

East Asian Music Durham University Festival Performance