블레이크와 예이츠의 예술도시

• 영문명: The Cities of Art of W. Blake and W. B. Yeats: Golgonooza and Byzantium
• 발행기관: 한국영미어문학회
• 저자명: 김희선(Heesun Kim)
• 간행물 정보: 『영미어문학』영미어문학 제135호, 1~27쪽, 전체 27쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2019.12.30

영문 초록

This study aims to compare W. Blake and W. B. Yeats through their cities of art, Gogonooza and Byzantium. Blake’s poetic self, Los’ project is to construct his city of art, Golgnooza, in the space of London. The city of art is not identified with a Utopian city, New Jerusalem. Los’ building of Golgonooza symbolizes writing a poem by a poet-prophet. For Blake, art (poem) is a passageway to New Jerusalem which means the apocalyptic moment of eternity through imagnation. Yeats, Blake’s disciple, also pursues a holy city of art, Byzantium, where “religious, aesthetic and practical life are one.” Yeat’s poetic self, Daimon, tries to accomplish ‘Unity of Being’ through his art in Byzantium. Yeats’ efforts to an ultimate reconciliation of the contrary states of human experiences finally reach to the awareness of “tragic joy.” Yeats was a romantic realist poet, while Blake a pure romantic.

목차

1. 들어가며

2. 예술가의 두 모습, 로스(Los)와 다이몬(Daimon)

3. 두 예술도시, 골고누자와 비잔티움

4. 갈등을 넘어: 진전 혹은 비극적 환희

키워드

블레이크 예이츠 예술도시 로스 다이몬 골고누자 비잔티움 묵시 Blake Yeats city of art Los Daimon Golgonooza Byzantium apocalypse