학술논문
1960년대 일본의 낮시간대 TV 멜로드라마와 젠더 정치
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- 영문명
- Daytime TV melodrama and Gender Politics in 1960s Japan
- 발행기관
- 일본사학회
- 저자명
- 김성운(Kim, Seong-Un)
- 간행물 정보
- 『일본역사연구』일본역사연구 제49집, 164~189쪽, 전체 26쪽
- 주제분류
- 인문학 > 역사학
- 파일형태
- 발행일자
- 2019.06.30
5,920원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
After the success of Fuji TV’s Nichinichi no haishin in 1960, TV stations concentrated melodramas that depicted extramarrital affairs and tragic romance at 1pm time slot to grasp the hearts of housewife viewers. This popularity of the afternoon TV melodramas had much to do with the creation of the middle class society that was represented by the contruction of ‘danchi’ apartment complexes. During the Cold War, the “free world” made great efforts to create middle class societies in suburbia because the lifestyle of the new suburban middle class became the centerpiece of the ideological effort of the capitalist societies. Japanese government also strove to create a strong middle class society through the construction project of the ‘danchi’ apartment. In the newly created middle class society, housewives were often described as queens in the home who efficiently managed household, using a variety of consumer electronics offered by the capitalism. Through “New Life Movement,” postwar Japanese government and corporations emphasized the central role of housewives in the construction of rational and modern households. However, real life housewives suffered despair and solitude when they faced the reality where they had to perform their domestic role given by the postwar society without any help.
This situation created a fertile ground for the popularity of TV melodramas. Helped by the everyday scheduling that encouraged habitual watching, afternoon melodramas invited housewives to romantic daydreams. However, these melodramas failed to offer criticism on and resistance against the existing family system and gender role while presenting female protagonists as victims of the situation or the bearers of ultimate maternal virtues.
목차
Ⅰ. 머리말
Ⅱ. ‘요로메키 붐’과 낮시간대 멜로드라마의 시작
Ⅲ. 냉전적 가정성의 형성과 낮시간대 멜로드라마
Ⅳ. 낮시간대 멜로드라마와 젠더 정치
Ⅴ. 맺음말
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