영미소설의 영화적 수용과 질 들뢰즈의 “시간-이미지”: 오만과 편견, 위대한 개츠비, 남아있는 나날들의 영화화를 중심으로

• 발행기관: 영상영어교육학회
• 저자명: 이준영
• 간행물 정보: 『STEM Journal』19권 1호, 85~106쪽, 전체 22쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2018.02.28

영문 초록

This essay attempts to analyze such cases of the screen adaptations of English novels as Pride and Prejudice, The Great Gatsby, and The Remains of the Day in terms of Gilles Delueze’s film theory and Georg Lukács’s discussion of time in his theory of the novel. Delueze controversially proposes that, by the very break-up of the sensorymotor schema, the constitutive images of the cinema have been changed from the movement-images into the time-images in which time as duration is represented directly in pure optical and sound situations. Lukács also points out that, unlike any other literary genres, such as the drama and the epic, the novel as a form of transcendental homelessness includes real time as duration among one of its constitute principles. Therefore, in order to adapt the narrative of the novel into the cinema, this essay claims, its concept and role of time should be transferred successfully into the screen by means of the cinematography of “the time-images” Whereas the 2013 and 1993 film versions of The Great Gatsby and The Remains of the Day demonstrate certain levels of success in transforming the time of the original novels into their cinematography, the 2005 film adaptation of Pride and Prejudice does not.

목차

I. 들어가며

II. 들뢰즈의 “시간-이미지” 그리고 소설의 시간

III. 소설의 영상화와 시간-이미지

IV. 나가면서