학술논문
The Infinitesimal Difference: Deleuze contra Badiou
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- 영문명
- 발행기관
- 한국비평이론학회
- 저자명
- Anthony ADLER
- 간행물 정보
- 『한국비평이론학회 학술대회 발표집』2016년 봄 학술대회, 1~2쪽, 전체 2쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2016.06.30
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해당간행물 수록 논문
- Affect and The Virtual in Wei Te-Sheng’s Kano
- Reading Wuthering Heights with Deleuze
- Shinran’s Logic of Sense
- Korean Artists’ Multiple Hybrid Identity Shaping in Transcultural Spaces: Interpreting Deleuze and Guattari’s Philosophy
- Bateson, Deleuze, and Mapping the Image of the “Brain to Come”: the Sacredness of the Neo-Baroque and Ecological Cybernetics
- Creating collective ‘non-identity’: the politics after the nuclear disaster as an ‘event’
- The problem of the state of nature in Deleuze’s political philosophy
- Towards a Disjunctive Community to Come: Re-reading Deleuze’s Cinema Books
- Image, Sensation, Immanence: The Aesthetics of Affect and Movement in Nishitani and Deleuze
- Schizoanalysis and the Deterritorializations of Transnational Feminism
- On Imagination, again: What does it mean to be on the Left?
- ‘The Death of God’ in Nietzsche and ‘The Scream at Death’ in Deleuze
- Deleuze and Melville
- Study on Abstract art: regarding on Deleuze’s concept of sensation
- Secrecy in Eastern and Deleuzian Immanence: Toward the nonhuman becoming
- Enjoying-Machines: Deleuze in Europe and Asia
- Diagram of the Painting
- Deleuzian [re]thinking in Thai urban context and planning practices
- On Deleuze’s Interpretation of Foucault in Foucault
- Relations, Connections and Time: In-Between Hume and Deleuze
- Deleuze as Literary Critic
- Being of the Sensible’ and its Muses
- Anti-Narcisse and the mannerist Ethics of Intensive Quantities
- The Infinitesimal Difference: Deleuze contra Badiou
- Deleuze and the Cinematization of Schelling: Contouring the Abysmal
- What is the minority? Who is the minor people?
- Tiger, Transformation and History: A conception of history through the lens of Deleuze and East Asian thinkers
- Deleuze’s melancholic modernity and the contemporary cinematic situation
- Singularity in Individuation of Simondon to Deleuze
- Producing “Any-Spaces-Whatever”: The “Poetic Turn” of the Korean Independent Documentary in the Post-vérité Age
- On the Infinity of Thoughts of Folding: The Case of Chen Chieh-Jen’s Realm of Reverberations
- Delueze’ s ethology and new thinking of ethics
- Aesthetic Rethinking of Women’s Labour in the Korean Avant Garde Documentary: Comfort Women, Affect Politics, and Factory Complex
- Deleuze in Asia?
- Documentation Art of Korean Bunche Painting: Landscape Painting as Deleuzian Transcendental Realism
- Philosophy and Scandal: Did Sokal Say Deleuze?
- Guattari and Pachinko: deadly ritournelle, himatsubushi-Tinguely machines
- Body without Organs and its Discontents
- Towards An Integral Ecology: Between Deleuze’s “Chaos” and Lao Zi’s “Tao”
- Refrain and Fort-Da: In What Sense Do Psychoanalysts Deal with the Fort-Da Very Poorly?
- How can we becoming a true ‘Madness’? – with an interpretation on ‘風姿花伝(FUSHIKADEN)’
- Embodied ways of Be(coming) With Me: Cinematic Affectivity and Sensoriality
- Philosophy as Geometry: How Philosophy and Art Matter
- Reshaping Social Practices through Masochist ‘Smut’ Literature: From Heteronormative Mimicry to a Radical Becoming-Woman
- Deleuze beyond just a post-structuralist theorist of literature
- ‘The Only Enemy is Two’: Dualism, Descartes and the Image of Thought
- Becoming-Democratic: On Deleuze’s Political Philosophy and Its Practical Implications
- Nomad Art: A new perspective on ‘World Art’ Studies
- How can Deleuze deal with Difference?
- ‘OMNIADVERSUS self-actualizing the subject’
- Towards a “Machinic” Theory of “Human” “Nature”: A Transhumanist Philosophical Anthropology with Deleuze and Daoism
- 2016년 들뢰즈국제학술대회 프로시딩
- Deleuzian Transcendental Empiricism, Levinasian Infinity, and Emptiness in Mahāyāna Buddhism
- Hystericized Hysteria: Deleuze’s Hysteria
- Historical Memory as Collective Memory in Cinematic Praxis
- Deleuze’s genetic interpretation of Bergson’s theory of “image”
- A View from Inside the System(s) of Cinema: Perception as zeroness and the structural moment of the passage to time-image
- Minor languages and social functionalism in Deleuze and Guattari’s Kafka: from tetraglossia to triple deterritorialization
- Expressionism in Gilles Deleuze’s Film Philosophy
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