학술논문
Contemporary Resonance and Moral Ambiguity in Shakespeare's Titus Andronicus
이용수 60
- 영문명
- 발행기관
- 한국영미어문학회
- 저자명
- Heebon Park Andrew Finch
- 간행물 정보
- 『영미어문학』영미어문학 제108호, 133~152쪽, 전체 20쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2013.08.31
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국문 초록
영문 초록
This paper seeks to reappraise and contextualize the ambiguities and moral challenges of a noble character who has been wronged by his society and his Gods, interpreting these in the light of the mores of Shakespeare's time and of contemporary post-war society. While the play has been severely criticized, reworked, 'cleaned up,' and even dismissed by various generations, because of its excessive goriness and horror, it is suggested that its original popularity was due to its portrayal of the Grotesque realities of Elizabethan society, and that such horrors achieve resonance in a contemporary society that cannot fail to be aware of marginalization and legitimized torture. In conclusion, the current authors suggest that the sophistication and complexity of honor-based revenge portrayed in Titus Andronicus distinguishes this play as an outstanding example of the genre, one fully deserving its place in the Shakespeare canon, dealing as it does with issues that are still highly relevant today.
목차
Abstract
1. Introduction
2. Elizabethan Contemporary Resonance
3. Theatrical Reappraisals: Modem Resonance
4. Moral Ambiguities: Contemporary Resonance in the Text
5. Conclusion
Works Cited
해당간행물 수록 논문
- Contemporary Resonance and Moral Ambiguity in Shakespeare's Titus Andronicus
- Melville's "foundling, a presumable by-blow": A Reading of the Acts of Open Form in Billy Budd, Sailor
- Collaborative Writing in L2: Its Effects, Student Perspectives, and Teaching Strategies
- John Donne's La Corona: the Anticipation of Spiritual Affliction and Enhancement in Holy Sonnets
- Shamanic Healing in Larry Heinemann's Paco's Story
- Who Dun It to the Country? Crime, Investigation, and 9/11 in No Country for Old Men
- Reinscribing on the Female Body: Nuruddin Farah's Gifts
- The Marriage-Escape Framework and the Consequential Endings in Edith Wharton's Works
- Pauline's Trickster Cure in Erdrich's Tracks
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