당대(唐代) 어부사(漁父詞)와 한국 어부사의 비교

• 영문명: The Comparative Study on Rhymes of Fishermen of Tang Age and of Korean Sijo
• 발행기관: 한양대학교 수행인문학연구소
• 저자명: 샤오리화(蕭麗華)(Hsiao Li-Hua)
• 간행물 정보: 『수행인문학』수행인문학 제40집 제1호, 35~60쪽, 전체 26쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2010.05.30

영문 초록

This paper has compared the transfiguration of ‘Rhymes of Fishermen(漁父詞)’ in Qu Yuan(屈原)’s 「Li Sao(離騷)」to ‘Rhymes of Fishermen’ appearing in Korean sijo. Poetry that expresses emotion and sense through the figure of fishermen originated from 「Chuci(楚辭)ㆍFishermen(漁父)」. Taken the lead by Lu Yen(呂巖)’s 「18 selections of Rhymes of Fishermen」, these poems were tinged with Taoist Sun-do(仙道), and configurated fishermen into ‘the hermit.’ And when it came to Tang age, starting from Zhang Zhihe(張志和)’s 「Tune of Yugezi(漁歌子)」 and Huatingchuanzi(華亭船子)’s 「Bozhaoge(撥棹歌)」, they borrowed the figure of fishermen and transfigured it to express the hidden will, zen mediation, or spiritual awakening. Both sijo of Korean poetry and rhyme of fishermen of Tang poetry were under the influence of folk songs, and each of them developed to have each formal syllabic system of 3-4 meter and 7-7-3-3-7 meter. Tang’s ‘fishermen rhyme’ merged Buddhism, Taoism, and Philosophical Taoism and showed the plural figuration such as a hidden scholar, a hermit, or a Buddhist priest, etc. On the contrary, in sijo, the rhyme has a distinct feature of Philosophical Taoist hermit.

목차

1. 들어가는 말

2. 중국 어부형상의 변모 및 문화적 함의

3. 당대(唐代) 어부사 함의의 발전 변화와 문학특징

4. 한국 어부사의 함의와 문학적 특징

5. 결론: 한중 어부사의 비교

인용 문헌

〈Abstract〉

키워드

어부사 은일사상 당시 시조 선도 Qu Yuan Li Sao Rhymes of Fishermen Lu Yen Zhang Zhihe Tune of Yugezi 唐詩 仙道