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학술논문

洛山說話와 高麗水月觀音圖, 普陀山觀音道場

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영문명
The Legend of Avalokiteśvara at Naksan, Water-Moon Avalokiteśvara Painting and Mt. Putuo Sanctuary
발행기관
불교학연구회
저자명
黃金順(Hwang Keum-Soon)
간행물 정보
『불교학연구』제18호, 93~118쪽, 전체 26쪽
주제분류
인문학 > 불교학
파일형태
PDF
발행일자
2007.12.30
5,920

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국문 초록

영문 초록

  The Naksan (洛山) in Korea and Mt. Putuo (普陀山) in China sanctuaries for Avalokite?vara worship are originated from the Mount Potalaka which is mentioned as the deity"s abode in the Avatamsaka Sutra (華嚴經). The Korean sanctuary stimulated by the Mt. Putuo seems to be made by the early 10th century. In addition, the legend of Avalokite?vara at Naksan was also made up.
  The Gulsan Zen branch (?山禪門) seems to have played a main role to form the first story in connection with Uisang (義湘) as well as the bodhima??a of Avalokite?vara on the east coast, because its members were interested in the Avatamsaka ideas of the Uisang faction. Namely the legend of two bodhisattvas was made in the name of the priest Uisang and Bumil (梵日) who were the founders of the Korean Avatamsaka school and Gulsan Zen branch.
  The influence of Avatamsaka Stura is observed in the legend of two great saints : The holy place is named Naksan, Uisang visits the cave and has a spiritual encounter with Avalokite?vara like the boy Sudhana (善財童子), and the image of Ananyagamin (正趣菩薩像) is also enshrined at Naksan Temple.
  Besides, there appears the principal iconographies of Goryeo Water-Moon Avalokite?vara painting (高麗水月觀音圖) such as two bamboos, a blue bird, the dragon of the East Sea and crystal rosary. They are derived from the Chinese Water-Moon Avalokite?vara painting. The woman in white garments who is the manifestation of Avalokite?vara in the legend also appears in the miracle tales from the 10th century onward.
  In conclusion, the sacred site at Naksan was established under the influence of the Chinese Mt. Putuo sanctuary. The contents of the legend are mostly based on the Avalokite?vara paintings of the Song period that had affected Goryeo ones. Additionally the influences of Avatamsaka Stura represent the desire of Koreans, that is, their country to be a Hua-yen Paradise (華嚴佛國土).

목차

Ⅰ. 머리말
Ⅱ. 洛山二大聖 說話 재검토
Ⅲ. 洛山說話에 보이는 高麗 水月觀音圖 圖像
Ⅳ. 洛山ㆍ普陀山 觀音道場 開創의 先後 관계
Ⅴ. 맺음말

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APA

黃金順(Hwang Keum-Soon). (2007).洛山說話와 高麗水月觀音圖, 普陀山觀音道場. 불교학연구, (18), 93-118

MLA

黃金順(Hwang Keum-Soon). "洛山說話와 高麗水月觀音圖, 普陀山觀音道場." 불교학연구, .18(2007): 93-118

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