액자식 서사체 「화중화(話中話)」의 플롯 미학과 그 의미 고찰

• 영문명: A study of the plot aesthetics and the meaning of frame form narration style 「Hwajunghwa(話中話)」
• 발행기관: 동남어문학회
• 저자명: 허만욱(Hur Man-Ook)
• 간행물 정보: 『동남어문논집』동남어문논집 제21집, 225~249쪽, 전체 25쪽
• 주제분류: 어문학 > 문학
• 파일형태: PDF
• 발행일자: 2006.05.01

영문 초록

  This stydy examined about aesthetics of the plot and the meaning into compensation New Novel 「Hwajunghwa(話中話)」 announced in the 1910s. First, New Novel that revalidate own continuously to the 1910s could not look away then readers. Second, 「Hwajunghwa」 with actuality congnition and portion corresponded to outward story(外話) that is journey to subjecthood establishment, have been composed as inward story(內話) that materialize achievement of one"s lifetime of life of kisaeng chowall" that woodcutter says. Therefore 「Hwajunghwa」nine foxtail millet beautys of narration which is then various politics society problem that the work has been placed and basis life that novel keeps as keeping comprehensively organic veins and shape beauty of expression mortification interest and beauty perfectly coexist. Also, there is the value overcomed limit of novel and show countenance of New Novel newly and develop English translation for coming into being of chard novel former generations that did not square view of the world middle ages.

목차

1. 서론
2. 액자형 담화구조의 계승과 변용
3. 「화중화(話中話)」의 플롯과 그 형성과정
4. 결론
참고문헌

키워드

액자식(frame style) 신소설(New novel) 화중화(Hwajunghwa) 플롯미학(plot aesthetics) 외화(outward story) 내화(inward story)