학술논문
韓國舞踊 型槪念의 原理分析
이용수 12
- 영문명
- An Analytical Study on the Pattern Concept of Korean Dance
- 발행기관
- 경희대학교 스포츠과학연구원
- 저자명
- 金白峰(Kim Paik Bong)
- 간행물 정보
- 『체육학논문집』제18집, 195~206쪽, 전체 12쪽
- 주제분류
- 예술체육 > 체육
- 파일형태
- 발행일자
- 1990.12.01
4,240원
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국문 초록
영문 초록
This stucy intends to rectify the misunderstanding that the pattern structure of Korean Traditional dance is a “Patternless art.” It traces the reasons, and demonstrates the groundless bases of said reasons, for such misunderstanding as attributable to the lack of artistry among the dancers in the anclent times or to the social condition of the particular period when dancing could not be considered a stable occupation although it was specialized as a branch of arts. Further, the study theoretically traces and clarifies the nature of the “true pattern of dance,” and determines whether the mission of art succession can be charged upon the principle of technical behavior or the mission could be possible based on the spiritual structure of “skill of ideal value” derived from a symbol of full maturity through endless penance and self-denial.
To achieve this goals. First, it is necessary to define the general principle of “pattern concept” which is recognized in the area of dancing art; secondly, it is equally necessary to find out “the historical background of pattern creation” in japan designed to maximize the efficiency of expression and dellvery in the early days of Kabuki as a stage art; and finally, to re-examine the current phase and development of “pattern function,” which was tested for a long time and its development. Without this comparative study based on empirical and historical facts, it is impossible to assess the peculiar position and originality of “pattern function” of Korean dance.
With the above goals, this study tries to search for the principle of “pattern concept” and “the mission of Korean Specific pattern” under the following areas:
Ⅰ. The background of pattern formation
Ⅱ. The pattern concept of Kabuki dance
Ⅲ. The pattern concept of Korean dance
Ⅳ. The concept of original pattern and the principle of succession
To achieve this goals. First, it is necessary to define the general principle of “pattern concept” which is recognized in the area of dancing art; secondly, it is equally necessary to find out “the historical background of pattern creation” in japan designed to maximize the efficiency of expression and dellvery in the early days of Kabuki as a stage art; and finally, to re-examine the current phase and development of “pattern function,” which was tested for a long time and its development. Without this comparative study based on empirical and historical facts, it is impossible to assess the peculiar position and originality of “pattern function” of Korean dance.
With the above goals, this study tries to search for the principle of “pattern concept” and “the mission of Korean Specific pattern” under the following areas:
Ⅰ. The background of pattern formation
Ⅱ. The pattern concept of Kabuki dance
Ⅲ. The pattern concept of Korean dance
Ⅳ. The concept of original pattern and the principle of succession
목차
ABSTRACT
Ⅰ. 序
Ⅱ. 型 生成의 背景
Ⅲ. 歌舞伎舞踊의 型槪念
Ⅳ. 韓國舞踊의 型槪念
Ⅴ. 原型槪念과 承繼原理
Ⅵ. 結
參考文獻
Ⅰ. 序
Ⅱ. 型 生成의 背景
Ⅲ. 歌舞伎舞踊의 型槪念
Ⅳ. 韓國舞踊의 型槪念
Ⅴ. 原型槪念과 承繼原理
Ⅵ. 結
參考文獻
키워드
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