학술논문
방법론적 모델로서의 구조: 데리다의 구조 해체에 대한 기호학적 비판
이용수 195
- 영문명
- The Structure as a Methodological Model: A Semiotic Critique of Derrida"s Deconstruction of Structure
- 발행기관
- 한국비평이론학회
- 저자명
- 최문수(Moonsoo Choi)
- 간행물 정보
- 『비평과 이론』제11권 제1호, 29~46쪽, 전체 18쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2006.06.01
4,960원
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국문 초록
영문 초록
We can apprehend and explain a given object only through its model since we have no direct epistemological access to reality, natural or cultural. The model ranges from a simple cognitive schema to a highly complicated operative tool. Structure is the system of connections which links up parts within an ordered whole, and functions as such a model especially when it comes to objects involving relations among their elements. But, for Derrida, the concept of structure is misleading and to be deconstructed. The structure cannot be a pure methodological tool since it is a metaphysical concept. Through the principle of presence, metaphysics necessarily endows the discourse with truth value by organizing it into a centered and fixed totality, which is a structure.
However, Derrida"s deconstruction of structure turns out to be problematic because his conception of sign, the element of the structure, cannot account for the fact that the sign is formal and dynamic at the same time, which allows the structure to be a form not permanently fixed by a certain truth value. Peirce"s doctrine of sign and phenomenology show that, unlike Derrida"s thesis, the sign proper is not another metaphysical concept, the stable union of the intelligible and the sensible, but solely an intelligible form whose dynamicity arises from the translatability or interpretability between culturally constructed and operative forms. Besides, the distinction of the intelligible and the sensible is necessary to the function of the sign. The sign proper is the general-intelligible form (type-sign), according to which its individual-sensible actualization (token-sign) is repeatedly produced and identified as a sign.
Derrida criticizes all the formalist schemata in that they rely upon Empiricism, whose appeal to experience is necessarily involved with the principle of presence, and whose scientific objectivism reveals its pursue of truth value. This critique presupposes that perception, the base of all experience is intuitional. But perception is, as Peirce shows, not intuitional but inferential. In fact, perception is a form of signification, an iconic one whose resultant meaning is the cognitive schema of the given object. And any signification entails interpretation as it is dependent upon the interpretative act, which is performed as a form of inference, namely, abduction. Consequently, perception and hence experience are interpretative, which means they are fallible and tentative. The structure is then not a metaphysical illusion involving invariable truth. Rather, it is interpretative and must be taken as a fallible and tentative form. As an interpretation of reality, the structure is a methodological tool, an apprehensive and explicative model of the object.
However, Derrida"s deconstruction of structure turns out to be problematic because his conception of sign, the element of the structure, cannot account for the fact that the sign is formal and dynamic at the same time, which allows the structure to be a form not permanently fixed by a certain truth value. Peirce"s doctrine of sign and phenomenology show that, unlike Derrida"s thesis, the sign proper is not another metaphysical concept, the stable union of the intelligible and the sensible, but solely an intelligible form whose dynamicity arises from the translatability or interpretability between culturally constructed and operative forms. Besides, the distinction of the intelligible and the sensible is necessary to the function of the sign. The sign proper is the general-intelligible form (type-sign), according to which its individual-sensible actualization (token-sign) is repeatedly produced and identified as a sign.
Derrida criticizes all the formalist schemata in that they rely upon Empiricism, whose appeal to experience is necessarily involved with the principle of presence, and whose scientific objectivism reveals its pursue of truth value. This critique presupposes that perception, the base of all experience is intuitional. But perception is, as Peirce shows, not intuitional but inferential. In fact, perception is a form of signification, an iconic one whose resultant meaning is the cognitive schema of the given object. And any signification entails interpretation as it is dependent upon the interpretative act, which is performed as a form of inference, namely, abduction. Consequently, perception and hence experience are interpretative, which means they are fallible and tentative. The structure is then not a metaphysical illusion involving invariable truth. Rather, it is interpretative and must be taken as a fallible and tentative form. As an interpretation of reality, the structure is a methodological tool, an apprehensive and explicative model of the object.
목차
Ⅰ. 구조의 해체
Ⅱ. 기호의 해체
Ⅲ. 기호의 형식성과 역동성
Ⅳ. 해석으로서의 경험
Ⅴ. 방법론적 모델로서의 구조
인용문헌
Abstract
Ⅱ. 기호의 해체
Ⅲ. 기호의 형식성과 역동성
Ⅳ. 해석으로서의 경험
Ⅴ. 방법론적 모델로서의 구조
인용문헌
Abstract
해당간행물 수록 논문
- 방법론적 모델로서의 구조: 데리다의 구조 해체에 대한 기호학적 비판
- 문학 이후: 데리다의 해체론과 미국 문학이론
- 실재계의 윤리와 마르크스주의
- The Over-coming of Modernity through Aesthetics: Adorno"s Aesthetic Critique
- 오리엔탈리즘, 시오니즘, 테러리즘: 에드워드 사이드의『팔레스타인 문제』
- 〈투고 안내〉외
- Hegel and the Philosophy of Difference: A Dialectical Critique of Deleuzian Pluralism
- 선(禪)의 세계와 데리다의 해체전략
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