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- 영문명
- Autobiographic Transformation of Writing in The Scarlet Letter
- 발행기관
- 부경대학교 인문사회과학연구소
- 저자명
- 박양근(Park Yang-Keun)
- 간행물 정보
- 『인문사회과학연구』인문사회과학연구 제5권, 139~158쪽, 전체 20쪽
- 주제분류
- 사회과학 > 사회과학일반
- 파일형태
- 발행일자
- 2005.02.01
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국문 초록
영문 초록
The Scarlet Letter, Hawthorne's first novel, is known as a selfreflective work of his creativity and life. Hawthorne is a novelist who wants to transform his traumas such as his mother's death and his unemployment of Salem Custom House into autobiological works. As he once told in his Notebooks, the characters of his works are created from conflicts between his desire to become an artist and his needs to be a father and husband. The deeper the conflict, the higher his creativity.
Each of the four characters in The Scarlet Letter also reflects
Hawthorne's psychological change into an artist, which is allegorically symbolized by the initial “A”. The transfiguration of Hester can be said Hawthorne's sympathy of his mother and loving of his wife, Sophia Peabody. Dimmesdale is created by the artistic passion, which seems like sexual emotion. Chillingworth is made of scientific energy towards the human's minds, and even Pearl is born from Hawthorne's concern of his daughter, Una. Hawthorne was bound to acknowledge his true human brotherhood with the Bostonians, regardless of Puritan antipathy and political differences. It is the beginning of writing his first cannon.
The three market places reveal the writer' creative process of seeing, disclosing and uttering. And the forest scene is also a scene of dialogue. While each setting has an unique protagonist of Hester and Dimmesdale, Pearl and Chillingworth also play a meaningful role as antagonist, who tells to the loving couples to be true. In the meanwhile, Hawthorne also comes near to the identity of an artist in possession of money and fame.
Therefore, The Scarlet Letter can be evaluated as Hawthorne's first work showing his literary career. And it is an “Art” itself, which is sprung from non-literary environments of New England.
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