학술논문
유리 놀스테인의 작품에서 나타난 미장센의 특징 - <안개 속의 고슴도치>와 <이야기 속의 이야기>를 중심으로
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- 영문명
- A Study on the Characteristics of Mise en Scéne in Works of Yuri Norstein -With a focus on his Hedgehog in the Fog and Tale of Tales
- 발행기관
- 한국문화예술교육학회
- 저자명
- 김미르나래(Mirnarae Kim) 이화자(Hwaja Lee)
- 간행물 정보
- 『모드니예술』제13호, 1~14쪽, 전체 14쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2015.12.31
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국문 초록
영문 초록
Yuri Norstein, the master of Russian animation, delivers his innate sensibility to the audience through
his works. Tale of Tales, which is regarded as his utmost masterpiece, puts many people into a nostalgic
mood regardless of nationality, language, and culture even though it has no lines, narrations, or clear
narratives. One cannot help wondering how a non-linear narrative-based animation work with no lines
can move so many people beyond cultural understanding. As reported in many previous studies, the
characteristics of his works, which include the crossing of images with no connectivity, figurative features
based on the composition of symbolic motives, and embodiment of poetic word-based images created by
the rhythmic senses of repeating composites, may work to deliver the theme-related movement to the
audience. Those characteristics are, however, not enough to explain a dreamlike, fantastic atmosphere
strongly implied throughout his works. If Tale of Tales presents perfect poetic images, it will surely contain
the elements of poetics words to feel the images of topics as well as the poetic meters felt in the
compositions and composites. While his individualistic composite technique creates lines in his works and
thus a sense of rhythm, it is a visual frame or mise en scéne that works as a poetic language to make
up an overall image. While a composite reveals a topic through editing, mise en scéne organizes and
directs all the visual materials in a frame and displays the consciousness of a topic throughout the work.
This study set out to investigate how mise en scéne, a film criticism term, was applied or transformed in
animation that was an image medium in similar contexts to movies. It also aimed to examine the
characteristics of mise en scéne prominent in Hedgehog in the Fog and Tale of Tales, two of Norstein s
representative works, based on the criteria set above and look into the functions of its products in the
works. The findings will hopefully remind future-generation animators based on novelistism of importance
of mise en scéne and help them with technical and planning aspects.
목차
Ⅰ. 서 론 1. 영화 미장센과 애니메이션 미장센의 차이
Ⅱ. 본 론 2. 유리 놀스테인의 작품에서 나타난 애니메이션 미장센 특징
Ⅲ. 결 론
키워드
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