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Code-Switching and Accents in Diasporic Multiethnic Literature in Min-Jin Lee’s Free Food for Millionaires and Lisa See’s The Island of Sea Women

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영문명
Code-Switching and Accents in Diasporic Multiethnic Literature in Min-Jin Lee’s Free Food for Millionaires and Lisa See’s The Island of Sea Women
발행기관
건국대학교 모빌리티인문학 연구원, 건국대학교 아시아·디아스포라 연구소
저자명
Set-Byul Moon
간행물 정보
『International Journal of Diaspora&Cultural Criticism』Vol.13 No.1, 102~124쪽, 전체 23쪽
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인문학 > 기타인문학
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발행일자
2023.02.28
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This article examines the literary representation of codeswitching and various accents between Korean and English in two minority women writers’ fictional territory portraying Korean American characters. Min-Jin Lee’s Free Food for Millionaires and Lisa See’s The Island of Sea Women center around the lives of Korean American women who speak English as a primary language and Korean as a home language or heritage language. The characters’ idea of Korea and “Koreanness” mostly manifests in their identity formation, rather than in their linguistic proficiency or a sense of belonging. Heavily related to the language proficiency and identity of Koreanness, the Korean American protagonists alternate between the languages and accents in linguistic repertoire deeply rooted in sociocultural practices that reflect the concept of diaspora and one’s diasporic identity. Their strategic code-switching signifies how one’s diasporic, immigrant identity affects one’s choice of speech that meticulously synthesizes social values, cultural norms, and ethnic/racial belief systems not only emblematic of mainstream American society but also of a minority community as well.

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APA

Set-Byul Moon. (2023).Code-Switching and Accents in Diasporic Multiethnic Literature in Min-Jin Lee’s Free Food for Millionaires and Lisa See’s The Island of Sea Women. International Journal of Diaspora&Cultural Criticism, 13 (1), 102-124

MLA

Set-Byul Moon. "Code-Switching and Accents in Diasporic Multiethnic Literature in Min-Jin Lee’s Free Food for Millionaires and Lisa See’s The Island of Sea Women." International Journal of Diaspora&Cultural Criticism, 13.1(2023): 102-124

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