학술논문
한문소설에 나타난 주요 동물의 문학적 형상
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- 영문명
- The Literary Forms of Main Animals in Sino-Korean Novels
- 발행기관
- 동방한문학회
- 저자명
- 尹世旬(Yun, Se-soon)
- 간행물 정보
- 『동방한문학』제62호, 61~92쪽, 전체 32쪽
- 주제분류
- 인문학 > 문학
- 파일형태
- 발행일자
- 2015.03.30
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국문 초록
영문 초록
In late Joseon dynasty, gentry intellectuals expressed negative attitudes toward the swarm of newly published Korean novels by insisting that the novels deserve to be burned as they brought about the phenomenon of social pathology. However, in the midst of this major commotion, gentry novelists wrote Sino-Korean novels after they were influenced by animal fable novels among Korean novels which were popular at the time. The novelists were able to easily write animal-based novels in Chinese characters which were inspired by animal fables because literary styles of Gwanmul spirit, fable style, animal-Jeon, and animal tale were deeply rooted in the Chinese literature. 「Hojil 虎叱」, 「Seojdaejujeon 鼠大州傳」, 「Seookki 鼠獄記」, and 「Togo ng-Jeon兎公傳」 are some Sino-Korean novels which storylines are based on animals and this dissertation dealt with main animals which have narrative impetus. That is, the thesis set literary form of the tiger in 「Hojil」, the old mouse in 「Seodaejujeon」, and the rabbit and the turtle in 「Togong-Jeon 토끼전」 as the targets of discussion. Moreover, the paper tried to grasp how the animals were formed within the works by internal methodology. In 「Hojil」, the tiger is acknowledged as the king of animals and at a superior position than humans since the humans have fear toward it. In addition, the tiger is raised to a higher status by merely treating humans as preys or a type of animal. With this, the tiger is authorized to bitterly criticize humans who are full of falsity. In 「Seodaejujeon」, the old mouse Seodaeju has been well formed after a thorough understanding of the life of mice. Seodaeju s barbarous acts and impudent behavior are a stark comparison to shameless humans. Generally, in the Korean version of 「Tokki-Jeon」, the rabbit s wisdom and the turtle s fidelity have been mentioned. However, in the 「Togong-Jeon」 which is a Chinese character version of 「Tokki- Jeon」, the discussion is centered on the rabbit s foolishness and the turtle s eloquence and treacherousness. The witty rabbit somehow manages to escape from the Dragon King s Palace but displays a foolish act of heading back toward it after being deceived by the turtle s eloquence. The turtle is an eloquent speaker who is equipped with strategies and practical ingenuity to accomplish his desire for success. Furthermore, outside he is a courageous loyalist but inside he s full of desires and fears.
목차
1. 들어가며
2. 조선후기 사대부 지식인의 동물 소재 한문소설 창작배경
3. 동물소재 한문소설에 나타난 주요동물의 문학적 형상
4. 나오며
참고문헌
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- 遊仙文學에 나타난 道敎의 동물에 대한 형상과 인식
- 漢詩에 受容된 馬의 認識과 形象
- 독일 그림형제 동화에 나타난 동물의 형상과 인식
- ‘臨河九曲’의 발견과 그 江湖歌道 연구
- 尹愭 文學의 動物形象과 寓意
- 艮齋 田愚의 序跋文에 나타난 世敎와 道本文末에 대한 考察
- 『巖齋唱酬錄』에 나타난 19세기 말 지방 인사들의 한시 창수문화
- 隋代의 文學 作品 속에 보이는 高句麗
- 연행록에 보이는 동물 기사의 유형과 특징
- 한문학에 나타난 ‘고래’에 대한 인식과 그 문학적 형상
- 佛敎의 動物에 대한 認識과 그 形象
- 한문소설에 나타난 주요 동물의 문학적 형상
- 韓國 漢詩에 나타난 出塞詩의 受用과 變異
- 한문산문의 파격양상과 그 의미
참고문헌
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