페오판 프로코포치의 역사극 블라디미르 : 17~18세기 경계기 러시아 문학

• 영문명: Feofan Prokopovich’s Historical Drama Vladimir: Transitional Period of 17th － 18th Century Russia and Literature
• 발행기관: 충북대학교 러시아 알타이지역 연구소
• 저자명: 서선정(Seo, Seon Jeong)
• 간행물 정보: 『러시아학』러시아학 제17호, 71~102쪽, 전체 32쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2018.08.30

영문 초록

The purpose of this study is to research the historical, literary and ideological meaning of the play “Vladimir” of the 17th － 18th century Russian writer Feofan Prokopovich. First, we looked at the historical, religious, and cultural situation of the late 17th and early 18th centuries Russia and the life of Feofan Prokopovich. In the 17th century Kiev, where the artist was born, there was coexistence of Orthodox, Catholic, Unyat, and coexistence of secular culture of Western Europe and ascetic culture of Eastern church. The Kiev-Mogila Academy, where the artist was educated, was a educational institution of Orthodox church, but tolerant of other religions. During his studies in Rome and Germany, he also knew about ancient Greek culture, European rationalism and Lutheran religious reformation. Next, we made a special study of Baroque and also examined the tradition of the School drama, which is prevalent in Russian literature in the 17th and 18th centuries. And then we researched the artist’s theory of ‘tragedokomediya’ genres and artistic fiction. Finally, on the base of these results we analyzed the structure of the conflicts and the characterization of personas, which reveals ideology of writer. “Vladimir” is not a work expressing the writer s support for the reform of Peter the Great, but the representation of contemporary conflicts and the conclusion reached by the artist, who had struggled between various values.

목차

1. 17~18세기 경계기 러시아와 페오판 프로코포비치

2. 17~18세기 경계기 러시아 연극의 두 경향 : 신학교극과 바로크극

3. 비희극 장르와 블라디미르

4. 블라디미르 는 누구를, 무엇을 향하는가?

5. 마치며

키워드

러시아 Russia 표트르 1세 Peter the Great 경계기 transitional period 페오판 프로코포비치 Feofan Prokopovich 역사극 historical Drama 블라디미르 Vladimir