나치독재의 ‘문화혁명’ 담론과 독일영화의 혁명화 프로젝트

• 영문명: ‘Cultural Revolution’ Discours and Cinema Revolution Project under the Nazi Dictatorship
• 발행기관: 한국독일사학회
• 저자명: 최용찬(Choi Yong Chan)
• 간행물 정보: 『독일연구』Vol.13, 125~153쪽, 전체 29쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2007.06.30

영문 초록

During the so-called total crisis in the later phase of the Weimar republic the National Socialists declared publicly that only their Cultural Revolution( CR) could stop the collapse of the western civilization through the social and cultural reformation and renaissance, that they should construct the New People Community as a cultural utopia, Kulturvolksgemeinschaft under the Nationals Socialists Reich. It was very interesting that their public declaration did not remain a political rhetoric, but was really put into practice after the seizure of the political power, so that it had a power to fabricate the reality differently. In this context it is important to raise questions: in which historical context was the National Socialists Cultural Revolution discours come into being? What was the real order of their cultural revolution discours? How important did the Nazis consider the film revolution project? And which supports did the Nazis really act out to realize the cinema revolution project? Here I will reply shortly to these critical questions respectively. Firstly, the critical problem, how the Nazis appropriated the cultural crisis of the later Weimar republic, is examined. So it comes to a conclusion that the Nazis emphasized the inevitability of their cultural revolution especially in the face of the Weimar crisis. Secondly, it is natural that the order of the Nazis cultural discours is illuminated by the deep observation on the German cinema revolution project, because the cinema revolution was the backbone of the Nazis cultural revolution. Thirdly, it make clear how the movies circles, especially the cinema newspapers reacted against the revolution project of the German cinema. It is very valuable to keep an eye on this point, because their positive reaction was made full use as a pretext for its radical performance. As a result, this research will first of all help to analyze the cultural revolution discours of the conservatives, then to make a rough sketch the cinema revolution project as a main program of the cultural revolution of the Nazi dictatorship, and finally to redefine the nature of the Nazi dictatorship as a cultural dictatorship.

목차

문제제기

1. 바이마르 독일의 ‘문화적 위기’와 나치독재의 ‘문화혁명’ 담론의 탄생

2. 나치독재의 ‘문화혁명’ 담론의 질서와 독일영화의 혁명화 프로젝트

3. 나치독재의 독일영화 혁명화 프로젝트와 영화혁명에 대한 문화적 지지의 연출

맺음말

영문초록

키워드

문화위기 혁명담론 문화혁명 독일영화혁명 문화독재 cultural crisis revolution discours cultural revolution German cinema revolution cultural dictatorship