고구려 고분벽화의 거문고

• 영문명: Kŏmun go in the Tomb paintings of the Koguryŏ
• 발행기관: 국립국악원
• 저자명: 황준연(Hwang Jun Yon)(黃俊淵)
• 간행물 정보: 『국악원논문집』제9집, 87~99쪽, 전체 13쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 1997.12.31

영문 초록

As a contribution to the discussion of the origins of the kŏmun go, I examine the depictions of an instrument assumed to be the kŏmun go in wall paintings from Koguryŏ tombs, attempting to delimit which of the instruments shown in these paintings are kŏmun go and which are not, and how the construction of the kŏmun go should be understood. To this end, I consider the estimated date of eight Koguryŏ tomb paintings completed between about the fourth and the seventh century, comparing the instruments depicted in tombs associated with the kŏmun go: Anak #3, T aesŏngni #1, T onggu #12, Changch ŏn #1, the Tomb of the Dancers, Kangsŏdaemyo, T onggu #4, and T onggu #5(Chiban #17). I conclude from this that it is unlikely thah the stringed instruments appearing in the early tomb paintings are kŏmun go and that an early form of kŏmun go is depicted in tombs dating from the fifth century: Changch ŏn #1 and the Tomb of the Dancers.

목차

Ⅰ. 머리말

Ⅱ. 고분의 추정年代

Ⅲ. 고분벽화의 거문고

Ⅳ. 초기 거문고의 구조

Ⅴ. 맺음말

Ⅵ. 참고문헌

Abstract