Unity of Sentiment and Scene

• 발행기관: 국민대학교 동양문화디자인연구소
• 저자명: Lee Sang-hae
• 간행물 정보: 『Journal of Oriental Culture&Design』vol.3 no.1, 1~10쪽, 전체 10쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2011.07.31

영문 초록

Through the cases of 1) outdoor pavilions, study halls and Confucian Academies and 2) Changdeokgung Palace and Rear Garden in Korea, this study maintains that from early on Koreans developed a philosophy of architecture as one with nature, and ultimately one with human beings. Under the Confucian system of thought, architecture formed in this way represents the unity of “sentiment” and “scene.” The unity of sentiment and scene represents movement beyond the state of projecting the individual world view on the object to reach the state of expressing the world view sought by the individual in the projected object. This association of architecture with human virtue leads to the state of unity of heaven and humankind, where the subject and object are one. This is the highest state, which enables architecture and nature to achieve harmony and coexist.

목차

Abstract

1. Case one: Outdoor Pavilions, Study Halls and Confucian Academies

2. Case two: Changdeokgung Palace and Rear Garden

3. Rethinking “Cultural Landscape”

Reference

키워드

sentiment scene world view unity of heaven and humankind cultural landscape