캐럴 처칠의『클라우드 나인』에서의 혼재향

• 영문명: The heterotopia in Caryl Churchill"s Cloud Nine
• 발행기관: 한국영어어문교육학회
• 저자명: 정귀훈(Jeong Kwihoon)
• 간행물 정보: 『영어어문교육』영어어문교육 제13권 제1호, 211~233쪽, 전체 23쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2007.03.30

영문 초록

  Caryl Churchill achieved spacial politics to resist dominant ideology in Cloud Nine. It is suggested that heterotopia is a counter-site to the places which are controlled by colonialism and sexuality. Churchill juxtaposes African colony of Victorian period in the first act and modern London in the second act. It implies that individuals are similarly oppressed by dominant ideology until now though several conditions for individuals are drastically improved. White heterosexual men in the play try to build their utopia to keep their privileges. If they find anything abnormal to their standard, they systematically classify people and organize them into the different ranks and levels to seclude them from their utopia. Actually, the ideal people in the ideal place are oppressed by patriarchal ideology, compulsory heterosexuality, and colonialism which are covertly associated with gender. Therefore, Churchill uses the cross-casting to challenge the artificiality of gender, sexuality, generation and race in the play. People realize that they need to find their own desires free from gender, compulsory heterosexuality, ethnic, and race and their subjectivity flowing in and out of space. It is the site that all the binary oppositions are deconstructed and creates new multiple nodes to expand the boundary of their communities to heterotopia in real places.

목차

Ⅰ. 서론
Ⅱ. 담론 은폐의 공간으로서의 이상향
Ⅲ. 대안 공간으로서의 혼재향
Ⅳ. 결론
참고문헌

키워드

compulsory heterosexuality colonialism cross-casting gender heterotopia representation 강제적 이성애 식민주의 교차 배역 젠더 표현