학술논문
심미적 음악 체험의 본질과 과정에 관한 연구
이용수 63
- 영문명
- 발행기관
- 한국음악교육학회
- 저자명
- 이영호
- 간행물 정보
- 『음악교육연구』음악교육연구 제13권 제0호, 245~299쪽, 전체 55쪽
- 주제분류
- 예술체육 > 음악학
- 파일형태
- 발행일자
- 1994.12.31
9,400원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
The purpose of this study is to explore the essence and process of experience of the aesthetic-import in music which is the basic of philosophy of music education of the sixth curriculum. First of all, the researcher discrimanated the artistic experience from the aesthetic experience and the experience of beauty so as to define the experience of the aesthetic-import. And the researcher defined the experience of the aesthetic-import as the artistic experience, with base on what should be by the meaning of a word and common cognition which the music educators have used. In result, the researcher could see that the essence of the experience of the aesthetic-import in music is to understand and sympathize with import of music as what is to experience artistic values by appreciation, to experience the aesthetic given by it`s the aesthetic quality. It`s essence was explored, devided into two; the experience of the aesthetic and the experience of import. For providing the base on the research, the character of a work of music art was analyzed in the viewpoint of Absolute Expressionism, Kant`s analysis of the aesthetic was taken. In result, the researcher found that the nature of import is an expressive form and the subjective reality as a content of a music work. And the researcher understood that the experience of the import is to have image of the subjective reality through perceiving and insighting into expressive form. Also the researcher understood that when one accepts the import of a work of music as the aesthetic objective by one`s contemplative attitude comes the aesthetic in music of which the quality universaly, necessarily, nonconceptually gives one gratification. And the experience of the import is to be gratified by it there. After all, the study reached the following conclusion; the nature of experience of the aesthetic-import is to experience the subjective reality expressed by a composer through perceiving and insighting into the expressive form, to experience ecstasy which is the peak of artistic impression which comes from receiving deeply the import into one`s self consistently and understanding, sympathize with it through the contemplative attitude in the whole processes. One who enjoyes a work of music can accomplish the experience of the aesthetic-import through listening and perfermance. Therefore the consideration in process of the experience should be made in both. But it was made only to study in the process of experience of the aesthetic-import through listening in this study. In result, the researcher understood that the process comprises three steps; sensous experience which is to receive the foreground, perceptive experience which is to perceive the expressive form, experience of insight which is to have the image of subjective reality through insighting into the expressive form. And it is completed when one who enjoyes a work of music experiences ecstasy through accepting import as the aesthetic objective by contemplative attitude.
목차
키워드
해당간행물 수록 논문
참고문헌
관련논문
예술체육 > 음악학분야 BEST
- AI 기반 음악교육에 대한 교육적 재음미 - 음악교사 역할에 관한 논의를 중심으로 -
- 2022 개정 교육과정 총론 방향(안)에 따른 새로운 음악과 교육과정 구성 방안 탐색
- 4차 산업혁명 시대 음악교육의 전망과 과제
예술체육 > 음악학분야 NEW
더보기최근 이용한 논문
교보eBook 첫 방문을 환영 합니다!
신규가입 혜택 지급이 완료 되었습니다.
바로 사용 가능한 교보e캐시 1,000원 (유효기간 7일)
지금 바로 교보eBook의 다양한 콘텐츠를 이용해 보세요!