학술논문
예이츠의 문화적 기획: 귀족주의 비전
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- 영문명
- Studies in Yeats’s Poetry: Aristocracy as a Cultural Project
- 발행기관
- 한국예이츠학회
- 저자명
- 김선재(Sun-jae Kim)
- 간행물 정보
- 『한국 예이츠 저널』29권, 5~32쪽, 전체 28쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2008.06.30
6,160원
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국문 초록
It is noticeable that the critics of William Butler Yeats has recently tried to elucidate the poet's aristocratic disposition in relation with his political identity. Some critics have disparaged Yeats' works of art in the light of his seeming conservative political position as an advocate of aristocracy. Other critics who disagreed with this excessive blame have insisted that Yeats' aristocratic disposition only shows his self-deceptive idealism. As the poet's inclination toward aristocracy seems to suggest his conservatism or elitism, it has hindered the critics from understanding and appreciating his poetry wholeheartedly. In this paper I intend to examine the established points of the critics concerning Yeats' political identity and demonstrate that his inclination towards aristocracy could be understood as an attempt to cultivate united national identity among the Irish. Inflamed as the working condition of the artists in Dublin deteriorated and the social position of the Anglo-Irish Protestant fell in Irish society, the aristocratic disposition of Yeats ultimately contributed to contrive a poetic vision for national integration.
From the point of time when Yeats decided to pursue his own poetic principle, “Unity of Being,” his vision of aristocracy assumed the mental and moral characteristic and became an ideal plan for achieving cultural nationalism among the Irish. Yeats' vision of aristocracy includes the ceremony of tradition and spiritual attitudes such as magnanimity and liberty which can be cultivated in the aristocratic society. According to the poet's vision, the ideal society consists of three major groups: the aristocrats who would lead an affluent life and support the artists, the artists and scholars who would concentrate on creating great works, and the populace who would appreciate their arts without any prejudice. All member of these groups will form a horizontal solidarity based on shared culture, which will give each member of them joyful peace and affirmative ability to embrace life.
It is noticeable that the critics of William Butler Yeats has recently tried to elucidate the poet's aristocratic disposition in relation with his political identity. Some critics have disparaged Yeats' works of art in the light of his seeming conservative political position as an advocate of aristocracy. Other critics who disagreed with this excessive blame have insisted that Yeats' aristocratic disposition only shows his self-deceptive idealism. As the poet's inclination toward aristocracy seems to suggest his conservatism or elitism, it has hindered the critics from understanding and appreciating his poetry wholeheartedly. In this paper I intend to examine the established points of the critics concerning Yeats' political identity and demonstrate that his inclination towards aristocracy could be understood as an attempt to cultivate united national identity among the Irish. Inflamed as the working condition of the artists in Dublin deteriorated and the social position of the Anglo-Irish Protestant fell in Irish society, the aristocratic disposition of Yeats ultimately contributed to contrive a poetic vision for national integration.
From the point of time when Yeats decided to pursue his own poetic principle, “Unity of Being,” his vision of aristocracy assumed the mental and moral characteristic and became an ideal plan for achieving cultural nationalism among the Irish. Yeats' vision of aristocracy includes the ceremony of tradition and spiritual attitudes such as magnanimity and liberty which can be cultivated in the aristocratic society.
영문 초록
목차
I. 예이츠의 귀족주의 비전: 역사적 위치
II. 예이츠의 귀족주의 비전과 문화적 민족주의의 실현
III. 결론
키워드
해당간행물 수록 논문
- 예이츠의 문화적 기획: 귀족주의 비전
- 우파니샤드와 선불교의 관점에서 본 예이츠의 반자아
- Yeats’s Disenchantment with Nationalism and His Pursuit of Universal Mind
- W. B 예이츠의 “분노의 마스크”와 소극적 자아: 「1913년 9월」, 「1916년 부활절」, 「미친 제인 주교와 이야기하다」
- 『비전』(A Vision) 에 나타난 주요 상징 - 두 “나선체”와 “큰 바퀴”를 중심으로
- 예이츠의 노년과 지혜 그리고 가이어
- Anima Mundi in “Anima Mundi”
- Modernism and Post-Modernism Aesthetics in Seeing Things
- Iseult Gonne, Symbol of Eternal Beauty
참고문헌
관련논문
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- [Book Review] Deirdre Toomey, Yeats and Women
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