고대이집트 고공(高共)리라에 대한 음악고고학적 연구

• 영문명: A Musicarchaeological Study on Ancient Egyptian Thick Lyres
• 발행기관: 한국서양음악학회
• 저자명: 지형주
• 간행물 정보: 『서양음악학』제10권 제3호, 121~141쪽, 전체 21쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2007.09.30

영문 초록

Musicarchaeological discoveries present evidence of Egyptian lyres developing as various types in their chronology. Thick lyres, distinguished by the depth of their soundbox, date mostly from the 19th and 20th dynasties. To date, three thick lyres, one model instrument, and 7 iconographical materials have been discovered. The paper examines the origin, date, size, material and structure of thick lyres in detail. The seven paintings suggest a concrete playing technique and identity of performers, as well as suggest details of the circumstances and purpose of their use. In the paintings, thick lyres are played always by female performers except for one papyrus in which a lion is depicted as a player. Thick lyres are played not only for private entertainment or for banquet guests, but also for religious ritual. On comparison with thin lyres, which have a flat-based soundbox, the thick lyre is distinctive in its size, sound, decoration and playing style. The soundbox of the thick lyre is deeper than that of the thin lyre, and, according to reconstructed lyres, sounds richer in overtones. The animal head decoration found on the thick lyre contrasts with the plain decoration of the thin lyre. Whereas the thick lyre rests on a performer’s shoulder due to its size and weight, the thin lyre is held vertically in the bosom of the player or carried under the player’s left arm.

목차

Ⅰ. 들어가며

Ⅱ. 음악고고학적 접근을 통한 고공리라의 연구

Ⅲ. 저공리라와의 비교

Ⅳ. 맺으면서

참고문헌

키워드

이집트 리라 오스트라콘 파피루스 테베 아비도스 Egypt lyre/Leier Ostracon Papyrus Thebes Abydos