브람스의《네 개의 엄숙한 노래, op. 121》(Vier ernste Gesnge, 1896)에나타난 동기적 연관성

• 영문명: On the motive relationship embedded in 《 Vier ernste Gesnge, op.121 》by J. Brahms: With the focus on the first song
• 발행기관: 한국서양음악학회
• 저자명: 김미영
• 간행물 정보: 『서양음악학』제9권 제3호, 63~84쪽, 전체 22쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2006.09.30

영문 초록

《Vier ernste Gesänge, op.121》 is Brahms’ last Lieder composed in 1896. It consists of a cycle of four songs, whose lyrics were excerpted from the Bible. Through this work, Brahms expresses his infinite awe of god and vanity of human life. Another significant poetic theme of this work is redemption by love. This is shown in the first song, in which its core lyric word “Hebel [vanity/ futility/ meaninglessness...]” in Hebrew, excerpted from Qoheleth, becomes a musical motto motive, which deepens in expression through developing variation. This remains not only to the first song but also throughout the entire cycle, and thus ultimately showing that the whole cycle deduces from the first motto motive and builds into a continuous unity.

목차

들어가는 말

1. 《네 개의 엄숙한 노래, op.121》의 가사의 의미

2. 시적 의미와 결부된 음악적 동기의 연관성

나가는 말

참고문헌

키워드

브람스 리트 《네 개의 엄숙한 노래 op.121》 발전적 변주기법 전도서 Brahms Lied nge op.121> Developing Variation Qoheleth