영화의 사운드로서의 음악

• 영문명: Music as the film sound
• 발행기관: 한국서양음악학회
• 저자명: 구경은
• 간행물 정보: 『서양음악학』제9권 제2호, 51~76쪽, 전체 26쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2006.05.30

영문 초록

What is music in film? How and where is film music? Why does the film need music? We feel interest in these questions. Three kinds of film sound, their typical role, and their basic elements can offer us also the status, the role, and the character of music in film. In order to inquire into the relation between music and scene, we gave a thought to the function of the film music. There are two kinds of music according to the relation between music and scene. The first case is that the music is in the world of the hero and the scene. On this occasion the topos of the music coincides with that of the scene. Therefore the music plays the role of exposing the scenic internality. The Second case is that the music is in the other world out of the scene. Namely the topos of the scene doesn't coincide with that of the music. At this time the music that stands beyond the scene takes us to the other world and shows what we cannot see in this world. When we enjoy the film, our senses of sight and hearing act reciprocally and tend to rely on each other. Especially Sergei Eisenstein considered the structure of film image as the music. He saw through that the visual and the auditory are mutually involved in the process of our perception and recognition.

목차

인트로

1장. 사운드로서의 음악

2장. 영화가 원하는 음악

피날레

참고문헌

키워드

영화음악 화면과 음악의 관계 내면적 사용 초월적 사용 화면 흐름에 내재된 음악 Film music Relationship between scene and music Isotopos Heterotopos Music within the scenic stream