Internationalen Ferienkursen für Neue Musik in Darmstadt as a platform of interest for composers from the People s Republic of China, Hong Kong and Taiwan. A historical trace.

• 발행기관: 아시아음악학회
• 저자명: Joevan de Mattos Caitano
• 간행물 정보: 『Asian Musicology』Asian Musicology Vol.31, 31~58쪽, 전체 28쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2020.07.30

영문 초록

Aiming to point out the interrelations between the International Summer Courses for New Music in Darmstadt and several composers and performers who were born in China, Hong Kong and Taiwan at different times, this text draws on significant connective networks established by the directors and assistants at the Internationales Musikinstitut Darmstadt with representatives in the 3 countries mentioned during and after the Cold War. Based on documentation from IMD Archiv, this work contributes to the intercultural relations between the “Darmstadt phenomenon” and the “Chinese continent” and enhances the project of internationalization of the Darmstadtian platform devised by the musicologist and journalist Wolfgang Steinecke, who inaugurated the Darmstädter Ferienkursen after the Second World War .

키워드

interculturality Darmstadt Ferienkursen China New Music IMD Archiv